ROCK MUSIC
- Pigeon
- Feb 26, 2020
- 71 min read
Media says: "Rock Is Dead."
AGREE
DISAGREE
The song’s lyrics dissect society’s addiction to digital facades, with frontman vocals oscillating between “cursed preacher and digital demon.” Accompanied by director Davide Forleo’s dystopian video—a surreal plunge into crumbling metaverse avatars—the single amplifies the band’s signature blend of darkwave and post-industrial unease, akin to a “unmade David Lynch film.”
INTERVIEW WITH FIREBIRD UNION
Brothers. One in London, one in Los Angeles. Making music for over 20 years. Our latest single was written in 2005.
(•)> Cru cru! What first got you into music?
Watching Brian May and wondering how he did it.
(•)> What's your favorite album of all time?
I can't speak for Matt, but mine is Kid A by Radiohead.
(•)> What record from the 2020's do you replay the most?
I want to say something super impressive, but I think my Spotify wrapped would indicate Inside by Bo Burnham.
(•)> What should the Pigeon listen to next?
Anything by Ben Kweller.
(•)> What memorable answers have you had to your work so far?
I once did a remix that was beautifully described as a "piece of sh*t remix for kiddies".
(•)> Who is your inspiration when creating music?
Brian Wilson & Paul McCartney. Unbeatable as far as I'm concerned.
(•)> Which film do you rewatch the most?
If Jurassic Park or Titanic are on TV, they're staying on.
(•)> How is your perfect day?
Tea. Sit. Coffee. Sit. Lunch. Tea. Sit. Dinner. Sit. Bed.
(•)> Will you tell us something embarassing about you?
I cannot open envelopes.
(•)> Do you sing in the shower? If yes, what's the setlist?
I sing original compositions based on soapy themes such as "I'd Rather Lather" and "Suds to be you".
(•)> What's your Hot Take - your most controversial music opinion?
I don't want to burn bridges by naming names, but there's one "savant" who I consider to be a total hack.
INTERVIEW WITH NILS LASSEN
After two decades of shaping soundscapes and releasing internationally recognized music, Danish artist Nils Lassen emerges with his debut solo album, Fingerprints - a deeply personal, poetic, and sonically ambitious record that marks a new chapter in his artistic journey.
Known previously for his work with the dreampop duo BlackieBlueBird, Lassen's solo debut builds on that ethereal foundation but ventures into more expansive, genre-defying terrain. Fingerprints is a bold tapestry of layered male and female vocal harmonies, cinematic orchestration, insistent rhythms, and raw, grinding guitars. The result is a sound that feels both intimate and vast - fragile in places, yet thunderous in others.
(•)> Cru cru! What first got you into music?
As an unfiltered kid listening to the radio was the first intro to music. It presented a dreamworld bigger than Disney’s!
It still does ;) – I have wanted to live in that world ever since…
(•)> What's your favorite album of all time?
That’s a difficult one depending on the daily mood, but recently Fleetwood Mac:’ Tusk’ has been a comforting record to return to. 5 drug fuelled millionaires trying to deal with their egoes, while creating beautiful melancholic music at the same time- what’s not to like?
(•)> What record from the 2020's do you replay the most?
BlackieBlueBird: ‘Ghost River’
(•)> What should the Pigeon listen to next?
Tommy Guerro : ‘Perpetual.’
An instrumental album with soothing songs from a Californian ex skater. Wonderful atmospheric stuff!
(•)> What memorable answers have you had to your work so far?
'Nils Lassen features a most excellent and quite unexpected mixing of musical minds, scattered sounds, and strange creative blends, but that is exactly how the musical world stays fresh and interesting.’
(•)> Who is your inspiration when creating music?
Everything going on up till this very moment. And now again this moment and this and this…
(•)> Which film do you rewatch the most?
Anything by Alfred Hitchcock
(•)> How is your perfect day?
Sunny.
(•)> Will you tell us something embarassing about you?
Anything I do outside the musical dreamworld described in question 1!
That’s why I wanna live there…;)
(•)> Do you sing in the shower? If yes, what's the setlist?
John Cage: ‘4:33’ ;)
(•)> What's your Hot Take - your most controversial music opinion?
Start writing songs instead of putting music to your diaries folks!
INTERVIEW WITH CROOKED CRANES
Released on 9th May 2025, Crooked Cranes' Original EP, 'This is Only a Test,' is a testament to the band's laid-back and unpretentious approach to music-making. Crafted in their basement over drinks and smoke with friends, the EP captures the essence of their youthful spirit. Standout tracks like 'GF,' 'Dolfin,' and 'Met a Gurl' showcase the band's ability to blend raw energy with introspective storytelling, making this release a must-listen for fans of stoner rock and alternative music.
(•)> Cru cru! What first got you into music?
Beach Boys Concert at age 5.
(•)> What's your favorite album of all time?
Oh man.. Live at Pompeii, Songs for the Deaf, Crimson - just to name a few of MANY
(•)> What record from the 2020's do you replay the most?
Ah honestly none of them.. I'm more of an old head 60's, 70s, 90s and early 2000s.
(•)> What should the Pigeon listen to next?
Dolfin, by Crooked Cranes!
(•)> What memorable answers have you had to your work so far?
Hitting 10k streams on Spotify!
(•)> Who is your inspiration when creating music?
My 4 year old son, Wyatt.
(•)> Which film do you rewatch the most?
Seven
(•)> How is your perfect day?
Wake up, coffee, work, dinner with fam, then jams at night.
(•)> Will you tell us something embarassing about you?
Oh god theres so much lol I fell off the roof of my house one time pressure washing.
(•)> Do you sing in the shower?
If yes, what's the setlist? Sure. My own material lol...
(•)> What's your Hot Take - your most controversial music opinion?
Meh I dont know.. I'm not real big into the music industry.
From Denver, Colorado, PawnShop Motel offers a sound that combines the rawness of punk, the melancholy of blues, the energy of rock n' roll, and the introspection of indie. Their single "Under Neon Signs" captures the essence of a band unafraid to show the scars of the past. With honest lyrics that reflect difficult experiences and soundscapes filled with electric nostalgia.
INTERVIEW WITH THE BURBS
(•)> Cru cru! What first got you into music?
Wassup!
That would have to be Heatmiser.
(•)> What's your favorite album of all time?
Marcus Teague by Single Twin. Marcus Teague is the artist, he used his own name for the album name and recorded it on an iphone. It’s a beautiful record with clever lyrics.
(•)> What record from the 2020's do you replay the most?
Malagrotta by Augie March. Another beautiful record. Augie March actually helped out Marcus Teague in the early days, lending him their gear and studio space at times.
(•)> What should the Pigeon listen to next?
Water Signs by Dinosaur Beard. These guys are probably the best new talent in Australia at the moment. And they also come from the same scene as Augie March.
(•)> What memorable comments have you had made about your work?
After one of our shows in Melbourne some dude from halfway across the room started telling us we couldn’t surf, taunting us from this weird distance. So we asked him if he liked the gig. And he said yeah it was cool, but you guys can’t surf. So we asked him if we ever said we could surf, and he says no. Then we asked him if he could surf and he says no. We ended up suggesting he could work on his bullying skills.
(•)> Who is your inspiration when creating music?
Nick Flynn.
(•)> Which film do you rewatch the most?
Danny (drums): Satan's Triangle
Peri (bass): Harry Potter
Brook (guitar/vox): The Dawn of The Stone Age
(•)> How is your perfect day?
Wake up first thing in the afternoon, go to a rodeo, meet some cowboys, take them to the Sprintcars, pass out in a paddock.
(•)> Will you tell us something embarrassing about you?
Singing in the shower.
(•)> Do you sing in the shower? If yes, what's the setlist?
Wouldn’t be caught dead doing that. But if we were to, it would be Pink Floyd’s Money.
(•)> What's your Hot Take - your most controversial music opinion?
Too many bands in matching costumes. We need some limits in place.
Planet Beach" draws inspiration from psychedelic, garage, and surf rock sub-genres, influenced by bands such as Osees, King Gizzard, Frankie & the Witch Fingers, and Psychedelic Porn Crumpets. Additionally, the song incorporates elements of 90s predecessors like Nirvana, Alice in Chains, and Soundgarden, evident in its guitar tones and hard rock vocal melodies. The release of "Planet Beach" signifies a new direction for Wynton Existing, with a sound and vibe that have been reimagined to their fullest potential, resonating with both modern and classic rock audiences alike.
"Appreciate your ongoing support of our project! Thanks and I hope you connect to the emotion and soundscape." - Ubiquity Machine
INTERVIEW WITH JAIME'S TONE
"Hi. I present to you “Best of Jaime’s Tone”, my first “Best of” album. Five years after the release of the first Jaime’s Tone album, and after a more intimate release in both French and English, I felt the need to reinvent some of my songs. I had the feeling that some songs from the first two albums were really great, and deserved to be re-edited and remastered, with the idea to be on the one hand more straightforward, and, on the other hand, to achieve a better sound."
“Best of Jaime’s Tone” includes 10 songs coming from “Futuristic Apocalypse”, “Alone in the city of Dreams”, and “Take Your Chance”, my first three albums, as well as a remix made by Electrosoff.
(•)> Cru cru! What first got you into music?
As far as I can remember, I have always been into music, since when I started learning piano at the age of 7. My first non-classical discovery was with The Beatles, and then I got into progressive rock, and later hard rock.
(•)> What's your favorite album of all time?
This is an extremely difficult question. I guess that could be “Two for the Show” by Kansas. Or is it “Selling England by the Pound” by Genesis? Or “Images and Words” by Dream Theater? One of these for sure.
(•)> What record from the 2020's do you replay the most?
“Probably 01011001 – Live Beneath The Waves (Live)” by Ayreon.
(•)> What should the Pigeon listen to next?
Jaime’s Tone of course!
(•)> What memorable answers have you had to your work so far?
This quote is extracted from a recent review by CR Indie from Costa Rica:
“Jaime's Tone is a French musician who has built a unique sound identity, fusing elements of rock, pop, and a strong '80s influence. His music stands out not only for its refined production but also for the emotional depth he imbues into each composition. Throughout his career, he has explored themes such as nostalgia, ambition, and inner struggle, becoming a reference for those seeking more than just catchy melodies.”
(•)> Who is your inspiration when creating music?
I draw inspiration from every aspect of life.
(•)> Which film do you rewatch the most?
“Doc Hollywood”, a 1991 movie film directed by Michael Caton-Jones with Michael J. Fox.
(•)> How is your perfect day?
Every day.
(•)> Will you tell us something embarassing about you?
Absolutely not.
(•)> Do you sing in the shower? If yes, what's the setlist?
I never sing in the shower.
(•)> What's your Hot Take - your most controversial music opinion?
I could never get into Van Halen’s music. I can listen to a couple of tunes, and then I’m bored.
RISE’s new single, "Dreams", is a driving dynamic song which is unashamedly upbeat. It's about the the way in which people make plans for the future, and we all have dreams and aspirations; but how do we get there…”there's no guiding map” to follow. Recorded at Whitewood Studios in Liverpool and produced by Rob Whiteley. Dreams builds on heartfelt lyrics and the driving nature of this song makes it a standout piece in their discography. The song is instantly recognisable, with a pure "RISE" feel, both in its production and arrangement.
(•)> Cru cru! What first got you into music?
My brothers listened to bands such as Genesis when I was growing up…it was always playing in the house, so you end up listening to your older brothers records
(•)> What's your favourite album of all time?
Grace under Pressure by RUSH
(•)> What record from the 2020's do you replay the most?
..Hmmm not much to be honest
(•)> What should the Pigeon listen to next?
We are back in the studio in July…2 more songs; Lost for Words and Hold On,,,they should be your next listens
(•)> Who is your inspiration when creating music?
My twin brother
(•)> Which film do you rewatch the most?
Aliens
(•)> How is your perfect day?
Ensuring that family and friends are OK…time with family and friends; we are not an Island
(•)> Will you tell us something embarrassing about you?
That’s for another day
(•)> Do you sing in the shower?
If yes, what's the setlist? Ha! Yes mostly 70’s and 80’s rock
(•)> What's your Hot Take - your most controversial music opinion?
Original music is under threat from AI….Original music should come from people, it’s a creative process (in my opinion)
INTERVIEW WITH SAINT NICK THE LESSER
"God Bless" encapsulates a satirical take on the encroachment of government into people's lives. Infused with the energetic essence of Southern Baptist church revivals, the track captures a chaotic yet captivating fervor. With its blend of alt-country and folk-punk elements, "God Bless" stands out as a punk anthem on Saint Nick the Lesser's eclectic album, "Growing up, growing out." The recording process at Sivraj Studios in North Hollywood, CA, added a unique touch, with the inclusion of spontaneous tambourine moments reflecting the raw energy and passion behind the music creation process.
(•)> Cru cru! What first got you into music?
Combination of necessity and interest. Music was a vehicle for me to help explore feelings, and lyrics specifically gave me a language to describe challenging emotions. It helped me feel less alienated as I understood that everyone experiences, in one form or another, their own sense of isolation, dissolution, interspersed with moments of lurid vivacity. Helped me to not feel alone essentially. Additionally, I’d actually wanted to be a writer before I got into music, but found that I enjoyed songwriter a bit more than writing, and stuck with it haha.
(•)> What's your favorite album of all time?
Admittedly, hard to narrow this one down. I’m a punk rocker at heart, and love singles, but as far as album’s go, Pink Floyd’s “The Wall” was instrumental in my formative years. I love(d) the dreariness of it, and the sweet melancholy present in many of the tracks. That, and I think what I love about it most is that it’s emblematic of what I’m trying espouse as an artist: personal growth, change, hope, etc. I like that album because of how the character changes, evolves, and grows, and ultimately reaches catharsis, only to have to it all over again. I think it’s a beautiful metaphor for life-Floyd drama notwithstanding.
(•)> What record from the 2020's do you replay the most?
2019, so not quite 2020’s: The Dreadnoughts, Into the North. Love the folk/punk vibe, and big fan of the maritime aesthetic.
(•)> What should the Pigeon listen to next?
The Stanfields-Road to Guysborough or The Boston States.
Two of my faves.
(•)> What memorable answers have you had to your work so far?
Tons, but one that’ll always stick out is this: I had just recently performed in Los Angeles. Someone came up to me, and thanked me for playing a particular song of mine called “21 Minutes” which is about my experiences with suicidality. They explained to me how it saved their siblings life who’d just gotten released from a hospital on a psych hold, and wanted to thank me for it. It was one of the most profound and humbling experiences I’ve ever had as a musician, and reinforced my desire to want to uplift others via music. That’s going to be my next and final single release from my upcoming album “Growing up, growing up” which drops later this year. Single to drop sometime in Summer.
(•)> Who is your inspiration when creating music?
Frank Turner for sure. He’s been such a huge inspiration insofar as melody, writing style, and overall vibe; also instrumental as being one of those musicians who helped give voice/language to some of my emotional experiences. Additionally, artists like Laura Jane Grace, Johnny Cash, Chuck Regan, and a lot of other folk-punk, anti-folk, or just traditional folk artists have had a huge impact on me.
(•)> Which film do you rewatch the most?
Man, that’s a rad question. I want to say Lord of the Rings, but realistically, it’s probably closer to John Carpenter’s The Thing, or the 80’s remake of The Fly with Jeff Goldblum. I love all things Sci-Fi, and dig body horror stuff, and feel like the tragedy of Seth Brundle is one the greatest stories in Sci-Fi.
(•)> How is your perfect day?
Winning the lottery followed by achieving Nirvana haha.
More realistically-waking up naturally, meditating, hitting the gym, working on new material, kicking it with friends (board game), playing a show, afterparty hangout.
(•)> Will you tell us something embarassing about you?
All of my baggage has been lyricized, put to words, and distributed online haha.
(•)> Do you sing in the shower? If yes, what's the setlist?
Usually just a bunch of humming, followed swiftly by waterbending and imaginary arguments. Also the occasional burst of frenzied inspiration which causes me to rush out of the shower and jot down or record notes.
(•)> What's your Hot Take - your most controversial music opinion?
I really don’t have any hot takes-music is music; art is art. This isn’t really a hot take, but more of anecdote which I remind myself from time to time: give yourself permission to write a shit song-it’s how you get better and get to the good stuff. If 4’33 can exist, then so can yours.
‘Bat Country’ offers listeners a fresh perspective on Aussie-grunge, marrying the authenticity of acoustic instrumentation with the trio’s gritty aesthetic. With Rob Grant’s masterful production elevating the track, Mergo solidifies their reputation as one of the most exciting emerging acts in alternative rock.
"Sleeplessly Dreaming" is a reflection of Harris' journey towards self-discovery and healing. Inspired by personal experiences, including a car accident that lent new meaning to the song's lyrics and to Harris' life, this single stands out as a cutting portrayal of human struggles and desires. With unique instrumental layering and a deeply introspective approach to songwriting, Emerald Bluffs presents a track that not only showcases Harris' musical talents but also offers a glimpse into the universal quest for love, survival, and the why of living.
“Center of Your World" finds Honorato venturing into a deeply introspective and emotionally stripped-down sound. Drawing on his early musical influences, the album blends elements of dark pop, post-punk and cinematic textures to explore themes of vulnerability, personal growth and the complexity of human experience."
"Center of Your World" captures the longing and desire to be part of a loved one's world, expressed in a classically romantic tone. With its lullaby-like quality, the track navigates the struggle of not quite breaking through - but does so with striking beauty and optimism. This track showcases the warmer, more organic side of the album, while the first single 'A Million Times' offered a more delicate, electronic-based production and introduced listeners to the album's introspective tone.
"I am very excited about this new chapter in my artistic journey and experimenting with new ways of writing music", says Honorato. Center of Your World promises to be an immersive listening experience that invites listeners to reflect on the beauty and fragility of human connection.
Influenced by legendary bands like The Police and iconic duets such as Sonny and Cher, Michellar's single is a heartfelt tribute to the power of love in overcoming challenges. "Conquer all with Love" tells the story of standing by your partner through thick and thin, with love as the guiding force that conquers all obstacles. With a blend of nostalgic 90s vibes and contemporary production, this release stands out for its honest and raw portrayal of love's complexities. Recorded in London and expertly produced in Staffordshire, UK, Michellar's single is a testament to the seamless musical connection that can transcend geographical boundaries.
Greetings from Helsinki!
INTERVIEW WITH JOHN DEERING
With influences rooted in his admiration for The Police, particularly evident in the rhythmic guitar chords reminiscent of Andy Summers, "Groove, Groove, Groove" is a nostalgic reflection on Deering's formative years spent frequenting the Jersey Shore. This track stands out for its intricate arrangement, featuring a symphony of guitars, keyboards, and layered vocals that seamlessly harmonize to create a melodic masterpiece. Recorded in his personal basement studio, this release symbolizes Deering's unwavering dedication to crafting authentic, heartfelt music as an independent artist, marking a significant chapter in his musical journey.
(•)> Cru cru! What first got you into music?
Listening to Rolling Stones records and pretending that a baseball bat was a guitar playing along with Keith Richards.
(•)> What's your favorite album of all time?
Exile on Main Street, Rolling Stones, plus it's a double album
(•)> What record from the 2020's do you replay the most?
Billie Eilish, Happier than Ever, really it is her first record but that came out in 2019.
(•)> What should the Pigeon listen to next?
Pigeon should go back deep into the blues and listen to the "Rocking Chair" album from Howlin Wolf.
(•)> What memorable answers have you had to your work so far?
Mostly surprise from friends and acquaintances that didn't realize I was taking it so seriously. Good surprise by the way!
(•)> Who is your inspiration when creating music?
ll other artists. It's a little corny, but I appreciate anybody who is willing to put it out there with something they dreamed up.
(•)> Which film do you rewatch the most?
Matrix. Neo dodging bullets!
(•)> How is your perfect day?
ake up, go for a bike ride, lunch, work in my home studio, dinner with family, friends, show at First Ave. in Minneapolis - perfect!
(•)> Will you tell us something embarassing about you?
For my first single, Strip Mall Jesus, I took a bathroom in our basement, put up a bunch of blankets on the wall and made it a vocal booth. My daughter came down looked at it and proclaimed it as the "Shudio"!
(•)> Do you sing in the shower? If yes, what's the setlist?
not really, but I do sing in the car. Set list lately has been Wilco and Radiohead. Hard to sing like Thom Yorke!
(•)> What's your Hot Take - your most controversial music opinion?
I don't know if this is controversial, but I think it is a great time to be a person making music independently. The resources available to everyone - Pro Tools, publishing, access to an audience - are so much better than even 20 years ago.
INTERVIEW WITH HAUS OF SOUND
Their debut single "Anxiety" is a wild, ska-influenced alt-rock track full of chaotic energy, operatic vocals, and heavy, punk-driven fun. While Anxiety captures the band’s raw, upbeat side, their upcoming album Campfire Stories dives deeper, blending electronic rock, heavy synths, and cinematic aggression in the spirit of Muse, Paramore, and Nine Inch Nails.
Haus of Sound brings an unfiltered, emotional punch — and a bold reminder that real scenes still grow from the ground up.
(•)> What's your favorite album of all time?
No Doubt, Tragic Kingdom
(•)> What record from the 2020's do you replay the most?
Linkin Park's From Zero
(•)> What should the Pigeon listen to next?
Pain in my Eyes by Haus of Sound
(•)> What memorable answers have you had to your work so far?
Creating music and recording with my band. We have such a close bond and music has been a great outlet for me.
(•)> Who is your inspiration when creating music?
Lady Gaga, System of a down, Linkin Park and Depeche Mode
(•)> Which film do you rewatch the most?
Grandma’s Boy
(•)> How is your perfect day?
Those don’t exist anymore for me unfortunately since my husband was diagnosed with Stage 4 Lung Cancer. A perfect day would be a cure.
(•)> Will you tell us something embarassing about you? I have an obsession for wigs. I own over 100 wigs. To be fare, I am in a Lady Gaga Tribute.
(•)> Do you sing in the shower? If yes, what's the setlist? Yes. Usually made up songs about washing myself .
(•)> What's your Hot Take - your most controversial music opinion?
I separate the art from the artist. I think we lose a lot of cultural complexity when we pretend someone’s music didn’t shape an era just because their personal life got dark. Doesn’t mean I co-sign their choices—but the tracks still slap. I have to make this argument every time Puff Daddy or R. Kelly comes up on one of my playlists in front of friends! Also, my guilty pleasure is: I love listening to Tejano music even though I don’t speak a word of Spanish. I grew up in Texas and was a huge fan of Selena, which is where it started.
INTERVIEW WITH TEIKA & THE RAW BEAT
(•)> Cru cru! What first got you into music?
Cru cru! I’d divide this into more stages. First of all, my parents. Although our music taste couldn't be more different (at least in relation to popular music), it was them, who always emphasised the importance of music and especially making music. So they made me sing in a childrens' choir, play the recorder, and after that the piano. As a little kid I was a huge Michael Jackson and Whitney Houston fan before moving on to the likes of U2.
But when I discovered Nirvana, I had them playing on repeat, it was like a new door had opened for me. I also sang in our grammar school choir, where we covered really challenging material, from Leonard Bernstein to Orff’s Carmina Burana. This invoked a hunger for more.
Lastly, my move to Ireland after finishing school introduced me to a wholly different world of rock music, which wouldn’t have been played on Austrian radio that much. I totally fell in love with all those wonderful British and Irish bands, old and new, that I had largely not known before.
(•)> What's your favorite album of all time?
Difficult to say. There are so many good ones. Perhaps in terms of (some of) my influences, Nick Cave’s Let Love In, PJ Harvey’s To Bring You My Love, Radiohead’s OK Computer or Sweet Heart Sweet Light from Spiritualized. Oh, and Selected Works V by Carlo Domeniconi – 25 years Koyunbaba. Love it.
(•)> What record from the 2020's do you replay the most?
Recently, I’ve listened a lot to Red Mile from Crack Cloud, The Collective from Kim Gordon and We Are the Plague from Suzie Stapleton. Also Angel Olsen’s All Mirrors (that was released in 2019 already, close enough though, I hope!) and Nous, the debut EP by Berlin band Sometimes With Others.
(•)> What should the Pigeon listen to next?
I don’t know what Pigeon is into these days but perhaps he might want to give a spin to some of the above mentioned :). Oh, and if in doubt, I'd recommend Foreverland by The Divine Comedy.
(•)> What memorable answers have you had to your work so far?
To be honest, I’m completely blown away by the amazing responses from the press so far, especially since Bones’n’Stones is my debut album. It seems to resonate with music lovers from all corners of the world, Europe, US, even South America and Australia. The first review that I got was from a French magazine, where 'Lynchian' influences were detected (how cool!) and it said that in this day and age, Bones’n’Stones is a downright 'necessary' album. An Irish magazine described it 'like a lost arthouse film with a post-rock soul', which I also found very beautiful. Quite a few mentioned something along the lines of 'modern storytelling', which touched me, since it is exactly how I see my songs. Each one tells a kind of a story. Then came reviews using phrases like 'breathtaking triumph', 'unforgettable', 'perfection' and so on. Really, it is me who is left stunned, breathless and humbled.
(•)> Who is your inspiration when creating music?
I don’t have any person in mind when creating music. When I write lyrics, I sometimes draw on experiences from people I know, sometimes I add my own interpretations, try to imagine, what that particular experience would do to me if it had happened to me. Other times I just draw on my own experiences. Life has so many stories to tell.
In terms of music, I don’t know. Probably it is a mixture of something or some things that I’ve been listening to and which deeply impressed me (even if it was ages ago) and something that has been brewing inside me. For the string arrangements of the album, which is the first time I’ve written anything like it, I just closed my eyes and listened to what needed to come out. Divine intervention, perhaps?
(•)> Which film do you rewatch the most?
The Lord of the Rings trilogy by Peter Jackson. It captured the feel of the book by JR Tolkien beautifully, to my mind. I don’t think there are any other films that I’ve rewatched as many times and no book I’ve reread more often. Next is Arizona Dream - a wonderfully surreal film about the wisdom of fish and the wish to fly by Emir Kustorica (with stunning performances from Johnny Depp, Faye Dunaway and Jerry Lewis and Lili Taylor). The Soundtrack to that is great (great to listen to, even if sonically a little dated), Goran Bregović meets Iggy Pop. Honorary mentions go to anything by Wes Anderson and Quentin Tarantino.
(•)> How is your perfect day?
Strolling along an empty(ish) shoreline by the sea with a great friend (don’t get to do that very often, since I’m living in Berlin)
(•)> Will you tell us something embarassing about you?
I am terribly scattered at times. I used to turn up at my elementary school with no school bag. As a teenager, I forgot my school bag on the train once. I have gotten a little better at finding my keys lately :)
(•)> Do you sing in the shower? If yes, what's the setlist?
Sorry to disappoint – I don’t sing in the shower!
(•)> What's your Hot Take - your most controversial music opinion?
Ditch Spotify, go for Tidal! Why feed Spotify with your money when you can have artist-friendly Tidal (or similar) at pretty much the same cost?
INTERVIEW WITH SATELLITE TRAIN
“Paralyzed” is an emotionally charged alternative pop/rock track that explores themes of isolation and the search for connection. Featuring tribal drums and atmospheric textures, the song builds from introspective verses to a powerful chorus, capturing the struggle of feeling unheard and unseen.
(•)> What first got you into music?
All the band members started young and have had a lifelong connection to music. That early passion is something we all share, even if our paths into music were a little different.
(•)> What's your favorite album of all time?
We come from different musical backgrounds. For some of us it's jazz or blues, for others it's alternative or indie, so our favorites would probably surprise you. Personally, Fiona Apple’s Tidal stands out. That album really left a mark on me.
(•)> What record from the 2020s do you replay the most?
Honestly, I personally don’t listen to full albums much anymore. I tend to go for playlists or dive into genres instead. Even though our band still focuses on making full thematic albums, it feels like the music world has shifted more toward singles and curated mixes.
(•)> What should the Pigeon listen to next?
We have a special release coming soon called "James Dean". We were honored to get permission from his family to put it out. We’re pressing a limited vinyl version and sending them a copy. The track came out really strong and gives a taste of the sound we’re developing for our third album, which will be out next year.
(•)> What memorable answers have you had to your work so far?
Some of the most memorable reactions come from people telling us that our songs helped them through something personal. When someone says a lyric or melody stuck with them long after hearing it, that kind of feedback really means a lot to us.
(•)> Who is your inspiration when creating music?
A lot of our inspiration comes from personal experience. Emotions, moments, relationships. Our most meaningful songs are the ones that come from the heart, and that’s usually when the music connects with people the most.
(•)> Which film do you rewatch the most?
I don’t rewatch a lot of films lately. These days it’s more about series. "Severance" really stood out, and Silo was another one that grabbed my attention.
(•)> How is your perfect day?
A perfect day would be a mix of creativity and connection. Spending part of it writing or recording music, or playing live, and the rest with friends or family. Maybe a walk, a meal together, or just something simple outdoors. That balance is what makes it perfect.
(•)> Will you tell us something embarrassing about you?
One time we borrowed a drum machine from another band to add a part in the studio. During the session, the power cut out, and somehow all of their pre-programmed drum tracks were wiped. We didn’t realize until later, and unfortunately, they had a huge show coming up where they really depended on that backing. It was completely unintentional, but still incredibly embarrassing.
(•)> Do you sing in the shower? If yes, what's the setlist?
Not at all. I’m not the singer in the band, and honestly, no one wants to hear me sing out loud. In my head maybe, but that’s where it stays.
(•)> What's your Hot Take – your most controversial music opinion?
I’m not sure how controversial it is, but I think independent artists deserve a lot more visibility. A lot of major artists have teams of writers, big budgets, and massive publicity machines behind them. That’s led to a lot of repetition in mainstream music. There’s way more creativity happening in the indie scene. We’ve got a couple of albums coming this year that push into new concepts, and I hope more artists get the space to do the same.
Alt-pop rock trio The Perfect Storm returns with their heartfelt new single “We Fell in Love,” an irresistible blend of vulnerability, melody, and vintage charm. Released via MTS Records/Virgin/Universal, the track marks the band’s first new music since the February debut of their acclaimed album Maiden Voyage, and it promises to be the soundtrack of springtime romance.
“We Fell in Love” is a shimmering, harmony-rich anthem that captures the spontaneous spark and youthful innocence of an unexpected connection. With its catchy chorus and nostalgic lyrical touches like the doo-wop-influenced “sha na na na na,” the single showcases the band’s ability to blend modern pop sensibility with classic rock warmth. Written collectively by members James Krakat (guitar, lead vocals), Matty Kirtoglou (drums, vocals), and Ethan Lynch (bass, backing vocals), the song reflects the band’s creative synergy and emotional depth.
“It’s about that moment when everything changes,” says Krakat. “When you realize love is right in front of you—even if you never expected it. It’s sweet, it’s real, and it’s us.”
The Perfect Storm—hailed as one of Rolling Stone’s 2025’s most exciting new acts—formed during the isolation of the pandemic, when longtime friends Krakat and Kirtoglou reconnected through music. Joined in 2022 by Lynch, the trio quickly became a force in the Capital District music scene, known for their dynamic live shows and genre-defying style that fuses alt-pop, rock, and alt-country.
INTERVIEW WITH SUNSWEATER
Produced by Shawn Sullivan (The Mars Volta) and mastered by Brian Lucey (The Black Keys), this track is a powerful, genre-defying journey that will resonate with fans of atmospheric rock, emotional storytelling, and bold guitar work. "get on with it" is a must-listen for anyone looking for fresh, deeply moving music.
(•)> Cru cru! What first got you into music?
My mom introduced me to different kinds of music and gave me chances to learn new instruments so definitely she is a huge reason. Along with that, I feel like a hex was put on me at some point and now I can’t stop coming up with silly songs. Eventually though a real song comes out and here we are.
(•)> What's your favorite album of all time?
If we’re counting EP’s it might be Harmony of Difference by Kamasi Washington, but if it’s full albums then it could be Frances the Mute by The Mars Volta. Don’t tell anyone but at this point I kind of skip through the ambient noise sections and go straight to the main tracks.
(•)> What record from the 2020's do you replay the most?
Khruangbin’s album A LA SALA. Give it another ten years and this might fight for favorite album of all time.
(•)> What should the Pigeon listen to next?
Peter Cat Recording Co. put out the album BETA some time ago. If you haven’t checked it out yet it’s a great listen.
(•)> What memorable answers have you had to your work so far?
That they had chills. I sometimes feel that way when listening to other people’s work so to have that same effect on someone really means a lot.
(•)> Who is your inspiration when creating music?
Personal life experiences. Love, loss, joys, pains. There’s a deep well of inspiration to draw from there.
(•)> Which film do you rewatch the most?
Usually it’s comedy films like Monty Python and the Holy Grail or Young Frankenstein.
(•)> How is your perfect day?
Playing, recording, and working on music. I really think a hex was put on me and it just makes me want to make music.
(•)> Will you tell us something embarassing about you?
In college, I used to have horrible stage fright when talking in front of a large crowd, and one time when I was presenting for some reason I pretended I had to take a phone call as a reason to abruptly end my speech. I realize this is not a good quality for someone who wants to perform in front of a crowd but oh well.
(•)> Do you sing in the shower? If yes, what's the setlist?
Yes, I certainly do. It’s usually either made-up songs or Auld Lang Syne. Either I’m working on something new or ringing in the New Year!
(•)> What's your Hot Take - your most controversial music opinion?
Country music is great. You may have to get passed the truck songs to find the good stuff but it’s definitely there and worth checking out.
INTERVIEW WITH NOURALLAH BROTHERS
Originally discovered in 1998 by Brian Sampson of Western Vinyl, the Nourallah Brothers have had a tumultuous musical career marked by estrangement and solo pursuits. Despite facing challenges and setbacks, their debut album received critical acclaim and earned them a spot on national radio in Amsterdam. Now, with the release of "We Listened to the Radio" on May 16th, 2025, the brothers are reigniting their creative spark and hinting at more music to come. As they delve into their vault of unreleased songs, fans can anticipate a possible vinyl release and a treasure trove of hidden gems from the Nourallah Brothers' musical archives.
(•)> What first got you into music?
SALIM: The AM radio and all the great tunes that came out of it.
FARIS: I was terrible at sports and I thought school was boring.
(•)> What's your favorite album of all time?
SALIM: The Beatles White Album
FARIS: The Beatles White Album
(•)> What record from the 2020's do you replay the most?
SALIM: Metronomy The English Riviera (10th Anniversary)
FARIS: Hmmm…My how time flies…And no, that’s not an album!
(•)> What should the Pigeon listen to next?
SALIM: Machine Translations Seven Seven
FARIS: Any advice that I give you.
(•)> What memorable answers have you had to your work so far?
SALIM: I don't understand this question. Sorry.
FARIS: Usually, when you work, you get paid. So I guess I’ve never worked.
(•)> Who is your inspiration when creating music?
SALIM: Right now I'm inspired by my brother and wanting to make the record we never got to make.
FARIS: That’s actually an impossible question for me to answer. There is not one inspiration that applies across-the-board. You could be inspired by a sunny day, a cloudy day, being jealous of your dog not having to worry about things…
(•)> Which film do you rewatch the most?
SALIM: Spinal Tap
FARIS: Spinal Tap or Monty Python's The Holy Grail
(•)> What is your perfect day?
SALIM: Wake up! Go for a run, draw a bath, go to Leila's bakery with Gavin or Miette (my kids), walk the lake, take a nap, meet my girlfriend and cook dinner together, take another walk with our dog (Klaus), read before bed, fall asleep peacefully!
FARIS: Not worrying about anything being broken, and having enough food to eat.
(•)> Will you tell us something embarrassing about you?
SALIM: I can't dance or work on cars.
FARIS: I can’t set up my own guitars, work on cars, dance, and for some reason, I really suck at karaoke!
(•)> Do you sing in the shower? If yes, what's the setlist?
SALIM: No
FARIS: I actually sound great in the shower! Usually it’s some sort of really bad opera that no one‘s heard before. But I think it’s because no one really wants to hear the kind of opera I do in the shower. And my Setlist is continually changing, as they are songs, just written for the shower, of course.
(•)> What's your Hot Take - your most controversial music opinion?
SALIM: Oasis has silly songs and their records aren't very good.
FARIS: I think Oasis has some killer songs, and What's The Story Morning Glory is a solidly excellent album!
“Show & Tell” feels like something we’re genuinely excited to share with the world. The song feels like a step into something new for Ghost Fetish. Somewhere we wish to travel further into."
“Bed of Roses” is a poignant anthem of resilience and love, showcasing Angie McConnell’s powerful, blues-laced vocals paired with Chris McConnell’s evocative 70s-inspired guitar work. Together, they craft a musical tapestry that feels both timeless and urgent—steeped in emotion, authenticity, and storytelling. With influences ranging from Beth Hart and Fleetwood Mac to Pink Floyd and The Doobie Brothers, the duo once again proves their unique ability to blend grit with grace."
Back to Basics, the debut EP by Plaster, marks a significant milestone in the band's journey. Influenced by bands like Fontaines DC, Crack Cloud, and Title Fight, the EP captures the essence of going back to their musical roots. Recorded at Sunsick Studios with Alex Jacobelli and mastered by Brad at Audioseige, the album features a raw, live recording approach that stays true to the band's authentic sound. Plaster's first release reflects their collective effort and commitment to creating music that resonates with audiences worldwide. Stay tuned for a musical experience that is both nostalgic and innovative, as Plaster takes listeners on a journey back to the basics of their musical origins.
SPIKY and Kris Kiss each boast a unique sonic identity, and together, they deliver a track that exudes raw passion, uplifting vibes, and an infectious beat. “SMILE” is more than just a song – it’s an anthem of positivity and perseverance, perfect for any summer playlist. Their seamless vocal synergy and energetic performance make this track a must-listen for fans of boundary-pushing music.
Goddamn Wolves is an indie rock trio from Raleigh, NC that formed in 2018. The band’s new release The DOOM EP reflects the band’s classic alt-rock influences (Pixies, The New Pornographers et al.), as well as their enthusiasm for current acts like The Beths and Bully.
Male/female vocal harmonies and infectious melodies courtesy of Chris Weilding (gtr/vocals) and Laura McCullough (bass), backed by the rock-solid, inventive drumming and backing vocals of Drew Foglia come together to form what The Big Takeover called “that perfect blend of an almost pop infectiousness and an underground rock sound.”
The DOOM EP contains four songs that reflect the dread uncertainty currently facing many Americans. It was recorded, mixed and mastered by Max Gowan at Found After Dark in Raleigh - the band’s studio of choice for their last few releases.
Lead off single “We’re Doomed” is slightly more hopeful than its title suggests, indicating that it’s when we give up that our fate is truly sealed: “I think this is probably a note to self as much as anything else. It’s mostly a reminder to keep moving, and try to make things better during our brief stay here. I hear it as a fairly positive message, actually.”
After taking an extended break from songwriting, “Later Than You Think” is the second Goddamn Wolves written and sung by Laura: “Playing with Chris and Drew is so inspiring and freeing. This band is the perfect environment for coming up with ideas and feeling completely comfortable to try things and put myself out there.”
On the face of it, “Get Your Coat” seems like a new direction for the band, with its lighter approach, but this song is actually an older song from Chris. The inclusion of piano on the track was impromptu and supplied by Dakota Proctor of Raleigh band Ooze Box, who was visiting the band in the studio during recording.
Final track “So Long” was written and originally demo-ed via file swapping during the COVID quarantine. It reflects the wistful melancholy of that period and includes trade-off lead vocals and lyrics from Chris and Laura. This is the first version of the song with live drums, which infuse the song with new energy. The outro of the song also features a threepart harmony from all member of the band that is worth checking out.
Despite, or perhaps because of, the current climate of unease, Goddamn Wolves is experiencing its most creative/collaborative period yet and has several new songs ready to record. They also hope to collect the work they’ve done at Found After Dark on a vinyl LP release later this year.
A bold garage rock feminist anthem, "Ernestine" is a rallying cry for anyone who is living life on their own terms. Written for Naomi's best friend, "Ernestine" channels raw emotion and driving energy, blending punk-inspired guitar riffs with a powerful message of independence and sisterhood. With its defiant refrain, “Ernestine doesn’t need you to save her, Ernestine already saved herself!”, the track celebrates resilience and individuality. The EP features three other tracks that also explore themes of sisterhood, support, and resilience, creating a cohesive narrative about connection and empowerment.
Sketches is The Amber Bugs at their most immediate – a record that captures the band’s live energy in its purest form. Recorded in a single take at Tilehouse Studios with Luke Oldfield, it strips everything back to the essentials, delivering an unfiltered, high-energy performance. In an age of pristine, polished production, this EP embraces the imperfections that make live music thrilling.
The As Yet Unwritten Big Beat Banger - A fuzz-drenched anthem about free will, Ikigai, and the endless pursuit of the perfect song, this track channels frustration into pure adrenaline. The unfiltered, live-recorded chaos of Sketches finds its most relentless form here, making it an undeniable highlight.
The long-form video reimagines the narrative arc of Joan of Arc, had she lived beyond her
nineteen years, and led a movement of feminine resistance set in modern-day Mystic, CT.
Reflections is a follow-up to McGinty's debut album "Chanson à La Lune". This new album features a collection of uplifting and joyful piano and guitar pieces, as well as tracks composed for flute and strings, and the lively Ragtime Special. With a unique blend of classical music infused with a modern personal touch, Reflections promises to be a significant addition to McGinty's discography, standing out for its innovative approach to traditional genres.
Released on January 10, 2025, Heavy Lies is a gritty alternative rock anthem that delves into themes of love, loss, resilience, and the weight of expectations. The lead single, "The Duel," sets the tone for the album's powerful narrative, combining hauntingly beautiful melodies with high-energy instrumentation. Recorded at Full Spectrum Audio with producer Andy Liaskos, Heavy Lies captures the raw intensity and dynamic range that define Bears Have Hearts' sound. As they gear up for a series of tour dates across the US, fans can expect an electrifying live show that brings the album's emotional depth and raw energy to life.
An ethereal, introspective yet uptempo track, "elvira" is the latest release from Lafayete, LA's The Links. The tune makes use of several shoegaze/dreampop elements while also turning the usual tropes of those genres on their head; namely by way of the clear & cutting vocals of Jack Morrison, leading the charge between spacey, cold but comforting guitars and driving, grooving rhythm section.
(•)> Cru cru! What first got you into music?
i had a little fisher price radio with a corded microphone as a toddler, I think when we still lived in Boston, and I distinctly remember making all sorts of noise for god knows how long on that thing for either hours or minutes at a time (it's all more drastic when you're younger, innit?)
(•)> What's your favorite album of all time?
Depeche Mode - Violator
(•)> What record from the 2020s do you replay the most?
i listened to our own record Outside about a million times—including after it was out—admittedly not always for reasons purely dedicated to entertainment, though at least a little bit to quell that particular feeling of disbelief you can occasionally get when you've made what feels like a relatively bizarre little dream of an "art piece" into reality. barring that... I think we listened to that 2020 Tame Impala record a lot while doing the little tour right before pandemic etc hit. Then it did hit and a few months later Ohms [by Deftones] came out. so either one of those two or, you know, our own behemoth
(•)> What should the Pigeon listen to next?
i'm not so familiar with the predilections of this pigeon... might as well listen to The Links!
(•)> What memorable answers have you had to your work so far?
the feedback off not only this latest single but our latest gig was genuinely unbelievable. a solid two handfuls of musicians & artists I genuinely admire telling me ("off the record" as it were) how much they love the tune and all sorts of other blushworthy commentary. the best might be when it gets back to you secondhand though, because then you especially know it's genuine.
(•)> Who is your inspiration when creating music?
I don't know if it's "who" so much as "what"
the notion of creating this whole kind of world that someone could just step into and live in, so to speak, with the music of course being the main soundtrack to it. but of course, we get sick of our own stuff so I make playlists all the time even just to present our music to people with at certain points - and not just playlists of our stuff, little "experiences" with all kinds of music that just happens to have a few of our things peppered in
(•)> Which film do you rewatch the most?
I watched Burn After Reading two night in a row recently. first watch being the TV edit that's up on YouTube for some reason, and second being the pure, unadulterated masterpiece
I might watch it again tonight, even! but yeah, either that or Trainspotting
(•)> How is your perfect day?
feeling well-rested, watching at least one incredible movie and probably an incredible album in there to boot. maybe with an incredible person - but how many of those are there?
(•)> Will you tell us something embarassing about you?
I usually write it out in the songs
this new one has a few tidbits I'm sure
and if all else fails just read that answer above where I talked about how much I listen to my own album
(•)> Do you sing in the shower? If yes, what's the setlist?
no
I conduct interviews
INTERVIEW WITH DISCO LIZARDS
Life Lessons is the perfect re-introduction to a new and improved Disco Lizards. A fresh line up, high energy performing group with a new song Life Lessons! A narrative about the idiosyncrasy's of normal life in a post pandemic world.
(•)> Cru cru! What first got you into music?
My wider family are known to be quite musical and I grew up listening to my Mums f avourite records (Fleetwood Mac, Queen, Madness etc). I remember asking for an acoustic guitar when i was like 14 or something and then that spurred me on to start learning to play and started jamming with some other friends who played music. I had a real drive to do something with that and here I am still doing it.
(•)> What's your favorite album of all time?
What an impossible question. My answer would change daily...
Gun to my head in thise moment I'm stuck between two. George Harrisons - All Things Must Pass and Tame Impala - Lonerism.
I feel so guilty to all the other albums that i love.
(•)> What record from the 2020's do you replay the most?
The Strokes - New Abnormal or the new Jack White album. Both are excellent.
(•)> What should the Pigeon listen to next?
I think i should shout out some unsigned bands and friends of ours. Murman, Fuck Fuck Fuck and Rolodex. You are in for a good time.
(•)> What memorable answers have you had to your work so far?
My favourite response was "balls out rock n roll." I think the imagery of this is just fantastic.
(•)> Who is your inspiration when creating music?
Oh i dont like to think there is one individual who inspires me. Its much more life experiences and stories to be honest. But i have great great great admiration for James Murphy, Kevin Parker, Alex Turner, Sebastian Murphy and Per Pelle Almqvist. I throughly enjoy the elements they all bring to music whether its musical, lyrical or performative.
(•)> Which film do you rewatch the most?
I am an enormous Star Wars lover (original and prequal movies), plus the new shows. The music is incredible and i love the stories. But two film I do watch annually without fail are Predator and Rocky. Great Sunday afternoon movies.
(•)> How is your perfect day?
A perfect day would likely be on holiday somewhere but a normal perfect day would be spent with my fiancee, wake up late, some brunch and vinyl, go for a walk and pick up something nice for dinner, a glass of wine or two and then an evening in cooking and eating, listening to music and some friends joining us and maybe a little dance around the kitchen. Chef kiss.
(•)> Will you tell us something embarassing about you?
When at home i prefer comfort over fashion and will 100% wear socks with sliders because why not.
(•)> Do you sing in the shower? If yes, what's the setlist?
Yeah doesnt everyone find their voice in the shower. Nothing specific, i will just throw on a playlist that ive curated and see where the moment takes me. This morning was Rhinestone Cowboy. Yeehaw.
INTERVIEW WITH DINOSAUR BLUES
(•)> Cru cru! What first got you into music?
First got into music because I wanted to play with friends.
(•)> What's your favorite album of all time?
Favorite album, that's tough - there are so many. I was heavily influenced by the blues, the Beatles, and early soul (don't know if you remember Soul Train?). But there are so many others, too - like the Police, Beach Boys, Ry Cooder, Grateful Dead, the list goes on.
Don't forget Stevie Wonder, Little Feat, Faces, Jimi Hendrix, Sly Stone, War, Prince...
(•)> What record from the 2020's do you replay the most?
I like George Ezra's latest, Gold Rush Kid. He has a marvelous voice. The last Black Keys was ok.
(•)> What should the Pigeon listen to next?
Pigeon should listen to what Pigeon likes, but it would be great if you listen to The Twilife.
(•)> What memorable answers have you had to your work so far?
Mostly the critics who obviously haven't listened to the music - like the reviewer that thought I was a girl (on a track where I sang baritone).
(•)> Who is your inspiration when creating music?
A perfect day has nothing to worry about and much to rejoice.
(•)> Which film do you rewatch the most?
Top 5 comedies: Galaxy Quest, Little Miss Sunshine, Dirty Rotten Scoundrels, Top Secret, The Producers.
(•)> How is your perfect day?
A perfect day has nothing to worry about and much to rejoice.
(•)> Will you tell us something embarassing about you?
Can't think of anything embarrassing.
(•)> Do you sing in the shower? If yes, what's the setlist?
Yes. Generally I sing stuff on our playlist that I have to perform.
INTERVIEW WITH MR. SASSY & THE BACKUP PLANS
(•)> Cru cru Mr. Sassy & the Backup Plans, what's your most controversial opinion?
Third Eye Blind is a better band than Weezer.
(•)> I disagree, but do you want to make an argument for it?
Lyrically, Third Eye Blind is just much richer. And their songs are inarguably hook-y. I think the thing that props Weezer up is primarily image. They "feel" cooler, and 3EB "feels" more manufactured by pop rock executives. But a lot of that I think is, again, image: one band has a cool "W" logo and iconic Buddy Holly glasses and the other comes across as a little too clean-cut.
(•)> You dont' get much hookier than Weezer's Blue Album...I like Three Eye Blind, but I have to agree that the nostalgia sometimes feels manufactured. I don't disagree with your point on image/looks, despite thinking that Weezer's niche dorkiness wouldn't be a strenght in the 90s as it is nowadays. I also have to disagree on the lyrical side, because Rivers Cuomo is one of the best to ever do it at dissecting masculine insecurities. To me it's just the catchy hooks on their debut, but what do you like the most about Three Eye Blind's songwriting?
I dig the quantity and cadence of the lyrics. Not just on Semi-Charmed Life, but in general. I think the lyrics are just so imagistic and evocative and emotive. It's nice.
INTERVIEW WITH MAKE BELIEVE LOVE
"Bespoke jock jams by Lucas Berman and friends."
(•)> Cru cru Make Believe Love, what first got you into music?
my dad’s midlife crisis when he would play 90s rock albums when I was a toddler in the 90s like Weezer, Ween, and Oasis
(•)> What's your favorite rock album of all time?
Nevermind The Bollocks, Here’s The Sex Pistols
(•)> What's the best rock song?
"Personality Crisis" - New York Dolls
(•)> What artists are still inspiring you the most?
Christopher Owens, Girls, Maxim Ludwig, Fatal Jamz, John Anderson, Angel Olsen
(•)> Which film do you rewatch the most?
Taxi Driver
(•)> What should the Pigeon listen to next?
Girls
(•)> What's the setlist when you're singing in the shower?
Motown, Prince, Smokey Robinson, Weezer... Oh, and I forgot Morrissey! I sing a lot of Morrissey in the shower
Debut singles can be a tricky challenge. For "Empty Pinata", he's going full-fledged explosion of character and sonics for his introduction. As a creative director, Alejandro gets to express himself in images but never directly in audio. Under the stage name "Empty Pinata" he now gets the chance to fulfill his creative dreams. With deep influences from comedy and cinema, this single comes from a unique place. Playful but still introspective. On the nose but still professing a desire for the song's love interest. In this case, the global icon, Doja Cat.
"BLVCKBVRN characterizes most of his music as "Dark Love Songs" by blending emotions and feelings of love, lust, pain, and heartbreak all into a song that paints a picture in your head while you listen."
"Space Garden by Lemon Generation stands out as a mesmerizing indie rock masterpiece with elements of Americana and folk woven into its sonic tapestry. Clocking in at 4 minutes and 42 seconds, the track takes listeners on a sonic journey through the cosmic adventures of the Space Cowboy, exploring themes of wanderlust, loneliness, and self-discovery. The song's lush instrumentation, including slide guitar licks, harmonica accents, and dynamic builds, creates a cinematic atmosphere that is both captivating and emotionally resonant."
Influenced by iconic bands like The Killers and Wet Leg, "Black Tears" is a sonic journey that transcends boundaries, inviting listeners to immerse themselves in a world of vibrant melodies and infectious rhythms. The song delves into the theme of embracing one's true self in a world increasingly dominated by artificial intelligence, emphasizing the importance of genuine emotions, love, and individuality.
"Drawing inspiration from 90's grunge icons like Radiohead, Smashing Pumpkins, and Mazzy Star, Moody Idaho's sound captures the raw edge of the early 90s while infusing it with their unique vocal lines influenced by Boy Genius."
"Just a Face" delves into the emotional aftermath of investing heavily in a teenage relationship only to see it crumble in one's 20s. Reflecting feelings of loss and betrayal, the song evokes a sense of longing and revenge towards a past love.
“a cowboy song that was inspired by the southwestern landscape. I was playing around with the drum groove that you hear in the intro, looping it and messing around on a lap steel. That riff sort of unlocked the rest of the song.”
"Sprinkler may be the artist’s best vocal performance to date. The track radiates with depth and precision, layering harmonies in a way that feels both orchestral and intimate, all while maintaining the signature ethereal and melancholic sound that will captivate listeners across the globe."
I was interested in talking about extreme asymmetrical ‘relationships’ and how perspective and expression can be used to manipulate others and ourselves. I made this album over 3 years in my bedroom, inspired by 90s shoegaze, grunge, bedroom pop, Mount Eerie, tape destruction, and sounds of the ocean.
With their catchy brand of 1970s-infused classic rock that is imbued with fiery riffs, emotive lyrics, and ear-worm hooks. They are seeking to stake their claim as the new torchbearers of classic rock and make a name for themselves in the upper echelons of the UK’s rock scene.
"Life's A Beach stands out for its distinctive fusion of styles, evocative mood, and Trisyla's mesmerizing vocals, making it a must-listen in the contemporary music scene."
"This song speaks to feelings buried deep within our subconscious. Whether they surface in dreams or daydreams, they can help you discover yourself and transform. The events may be unreal, but the feelings are not—and it’s these feelings that can become your guiding light in the subway tunnel"
"Shut My Mouth is a high-voltage punch of punk and metal, fueled by raw emotion and relentless energy. It’s a gut-punching anthem about losing yourself in the struggle to please others, battling self-doubt, and fighting to be heard. Citizen Rat blends the intensity of Fugazi and The Bronx with their own chaotic, hook-driven sound—blistering riffs, powerful vocals, and unfiltered honesty."
"Liquor not only captures the essence of a person grappling with the challenges of modern life, particularly during the lockdown period but also highlights River Fury's innovative recording process."
"Laughing Cats, featuring Tony Fredianelli of Third Eye Blind fame, and Lauren Schiff, a New York stage actress, is a fresh and infectious blend of pop, rock, and alternative music. Their debut album "Funny Money" is a diverse sonic collection, made by Tony's limitless musical abilities and Lauren's storytelling flare"
"We've had this song recorded for a little while now, waiting for the right time to release. With the ethereal yet in-your-face guitars of our band, this song is perfect for the start of Spring going into Summer."
"In tough times, we all need a bit of hope. “Warming Light” began as a simple guitar riff and developed into a deeper reflection on life and how we find comfort. It’s a slow-tempo track that blends melodic pop-rock with a touch of art-rock—tinged with sadness yet sparking optimism. You’ll notice the shift when the arpeggiated bass kicks in, and the trumpet solo adds its own magic."
"Fans of indie rock and dream pop and huge tunes will feel at home here, as Korda Korder masterfully crafts a surreal atmosphere where vocals melt into the instrumental background, almost as though they’re beckoning from another world."
"Rasha Jay draws inspiration from her rock roots, showcasing a blend of heavy melody and heartfelt lyrics that resonate deeply with her artistic vision."
"A moody, slow-burning rocker that captures the tension of love unraveling. Drawing a comparison to Jeff Buckley and PJ Harvey, Sara Johnson’s brooding verses build to a soaring chorus before hypnotic repetitions of “whatever you want” push the song to a climax."
"A deeply personal rock anthem blending raw emotion with timeless musicality. Rec Rocero brings a rich heritage of Anatolian Rock to life, capturing the essence of love, transformation, and human connection."
“Hold Me Up' is a really personal song. It's a conversation with my vision of God, a plea for help in hard times. Not in the sense of asking pain to end, but rather to have the strength to weather it, and to stay on what I feel is the right path. I think in our own way, we all find ourselves down and out on our knees at some point. I wrote this song to pick myself back up, and I hope it can do that for others too.”
INTERVIEW WITH ELLERY TWINING
(•)> It's story time in "S B Butler". There was a village, not yet suburbia." I love the sarcastic and ironic tone. I wish I'd been born with just a tiny bit of this charisma. "Broke his elbow playing touch football and we never saw him again". Ellery Twinning reminisces of childhood and it's so cool! The way they describe losing touch with childhood friends and reminiscing in personal memories is so nostalgic! There's a certain irony hidden in these brief, volatile moments that involve excellent storytelling! I also really like the youthful upbeat riffs that contrast with the gargantuan, almost divine, epic, and sinister melodies that dominate this background inspired by shoegaze.
(•)> Cru cru, what first got you into music?
I was a kid in the 1970s, during the peak of the Garage Bands. Walking home from the school playground one Saturday, I witnessed an honest-to-goodness Garage Band practicing in one of the neighborhood houses. That was it for me.
(•)> What or who is your inspiration to create music?
My initial inspiration was that I could contribute to the same continuum that affected me. A responsibility.
(•)> How do you feel the internet has impacted the music business?
The internet is the modern iteration of what sheet music publishers were petrified of when the jukebox became a common technology.
(•)> Will you tell us something embarassing about you?
My senior photo for my high school year book: I am sporting a full 80’s mohawk.
(•)> How is your perfect day?
Sunday and Victorialand by the Cocteau Twins
(•)> What memorable responses have you had to your work so far?
As far as the written word, I am constantly surprised at how well the songs have been received.
(•)> Do you see yourself as a music nerd?
No. I do not think that determination actually exists.
(•)> What album do you replay the most?
Victorialand
(•)> What's your favorite movie?
The World According to Garp
(•)> Do you agree with the Pigeon?
If you think the Patriarchy is in its death throes…
INTERVIEW WITH COMA BEACH
(•)> Check out the new original EP: I Won't Listen! It debuts with the track of the same name, a track that is fed up with its people. This alcoholic performance, sick of the world and the people who live in it, couldn't be more charismatic or relatable. In turn, the structure and melodic progression remind me strongly of the genius of David Bowie. Meanwhile, Coma Beach is on its way to stardom with a solo that is quickly replaced by more dynamic percussion. After this metamorphosis, they go from Bowie to the Clash and this reinterpretation of the punk legends couldn't be more original! All in all, "I Won't Listen" opens this EP in a rebellious and youthful way, paying homage to two of the biggest names in English music.
INTERVIEW WITH URBAN WALRUS
(•)> Cru cru, what first got you into music?
My dad and the 3 tapes we had to listen in his car on the way to summer vacation in the south of France. Bob Marley's "live at lyceum", Supertramp, "Breakfast in America" and Cat Stevens's "Tea for the Tillerman"
(•)> What or who is your inspiration to create music?
Everything I see, feel, going through
(•)> How do you feel the internet has impacted the music business?
Everything. It's not a Business anymore. I'm ok with that. But in a way its sad. There is no new Music in the charts anymore since the 90ties.
(•)> Will you tell us something embarrassing about you?
This Interview...
(•)> How is your perfect day?
Not Today
(•)> What memorable responses have you had to your work so far?
Its not Work anyway... but sitting at Sean's Irish Pup in Manhattan and randomly one if my Songs is played by the DJ. That was cool.
(•)> Do you see yourself as a music nerd?
I'm not a nerd at all. Music is about emotions. They keep changing. There are days I can't stand Music at all.
(•)> What album do you replay the most?
After the Goldrush by Neil Young
(•)> What's your favorite movie?
The Godfather 1 & 2
(•)> Do you agree with the Pigeon?
Absolutely
INTERVIEW WITH ZACHARY MASON
(•)> Cru cru Zachary Mason! What first got you into music?
It was music that got me into music!- I always enjoyed listening to it and have spent a fair amount of time hearing a wide variety of different genres... Having heard and enjoyed how so many others express themselves in music, I guess a desire grew in me many years ago to create some expressions of my own! My chance came to start recording music in a more advanced fashion than just a few rough ideas here and there on my smartphone when, back in February 2021, I was gifted with a recording kit by a relative! As time went on I gradually got better at it, and made my debut with Special People in July 2023! Since 2021 I've put together well over 200 demo tracks, so I've certainly been experimenting!
(•)> What inspired you the most when creating “I Wish Humans Were Made In A Factory”?
The original idea happened in 2022 (just the chorus, with lyrics, raw chords and a concept) so I actually don't remember much about the initial creative period... I presume the idea just popped into my head and popped out onto the guitar! From whence it came, I know not!
(•)> “I Wish Humans Were Made In A Factory is quite a humorous concept. How did you come up with it?
I like creating and exploring humorous ideas- sometimes some rather unusual ones!- so the idea that humanity could escape from sexual frustration and also the conflicts, tensions and disappointments we so often see as a result of sexual activity by relegating reproduction to a purely mechanical operation conducted in a factory was one I simply had to explore!
(•)> What are your favorite rock groups from the 90s?
To be honest I only like a handful of tracks by individual 90s rock bands; tracks I particularly enjoy would include My Own Prison by Creed, the famous November Rain and Remedy by the Black Crowes...
(•)> Do you have any problems with the traditional method of reproduction?
What's that? :p
(•)> What experimental artists inspire you the most?
I think David Bowie requires a mention as one or two people mentioned I sound a bit similar! I haven't really thought that much about the music I've listened to in terms of the experimental, so I haven't anything to add at present...
(•)> What records released by the UK do you cherish the most?
Definitely Maybe and (What's) The Story Morning Glory each contain a few tracks I like; also Hunky Dory and a few by The Beatles...
(•)> What fascinates you the most about Neil Young, Bob Dylan, Thin Lizzy, and Mac DeMarco?
Each artist has their own unique fascination; Neil Young, to pick just one, has been a favourite of mine for many years and hence I often feel a sense of nostalgia and my own past in his music... I actually bought my first Neil Young album as a gift for a relative, but after listening to it I decided to keep it for myself! One of his songs is actually my favorite track of all time, and that is Interstate...
(•)> Did you watch “A Complete Unknown”?
No! Sorry! A Complete Unknown is a complete unknown to me!
(•)> What do you enjoy the most about scribbling?
I've always loved reading and literature and wanted to become a writer more than a musician in earlier days... It's great to enjoy something that can be enjoyed by others! And as I am the sort of person who likes thinking and dreaming, writing is the perfect excuse to indulge in these things! If you want to see what I write, you can look on scribblings.uk!
INTERVIEW WITH PARA LIA
"The hypnotic guitar riffs and the powerful voice of Para Lia combine to create an explosive melody that both awakens the mind and touches the soul. “Mindsong” is more than just a song - it is a manifesto for all those who want to experience the world with open eyes and an open heart."
(•)> Cru cru, what first got you into music?
Para Lia is a band, where nearly all members were or are also members of other regional bands. So everyone has his own musical background. Cindy is an exception, she never had the idea to become a member of a band – until she met René. After a longer pause from songwriting and recording he started to write songs again and formed with Cindy as female vocal part Para Lia as a project. In 2023 the project grew to a band of six, and until last year they enter the stages.
(•)> That's a lot of people! What do you guys enjoy doing together besides playing music?
Together? We are an indie band. Everyone has a job, everyone has a family. Time is a very rare gift. We enjoy to find time which fits for all 6 to meet up for rehearsal, working on new songs, to record and to prepare and play gigs.
(•)> That's a lot of people and so little free time aha When playing live what response from fans managed to strike you the most?
The ones who tell us that our music ivited them to a trip which they did with eyes closed into another dimension.
(•)> Which member of Para Lia doesn't sing in the shower?
Dennis. He is married and his wife would tell him to stop for sure!
(•)> Who's Lia?
The one who gives Para a meaning. παραλία is a Greek word that means beach.
""WTF!", is a time-traveling anthem that fuses retro-modern indie rock with an infectious disco vibe. With funky guitars, rich, dynamic synths, and irresistible drum grooves, the song delivers a burst of energy that demands movement. Beneath its vibrant surface lies a lyrical exploration of change and embracing the future, creating a striking balance of deep meaning and electrifying sound. This track is a refreshing blend of nostalgia and innovation, perfect for anyone seeking a feel-good, thought-provoking escape."
INTERVIEW WITH SEA AT MIDNIGHT
"I live in Los Angeles so if you would please tell your audience that all proceeds will be donated to LA fire victims that would be wonderful."
(•)> Cru cru The Sea Midnight, what first got you into music?
Good question Pigeon. Probably the same as your experience. You're a little kid and music seems like this wonderful magic. It just fills up your being and you don't even know why. I'm a late bloomer though. Didn't buy my first guitar until I was 23.
(•)> It does feel like magic! Magical wiggly air aha Damn, 23 is quite late! I tried to learn how to play during the quarantine, but I gave up quickly... How did you learn how to play that magical six-string instrument? Do you remember what chord and what song you learned how to play properly first?
Remember playing E to A until my fingers almost bled then moved on to strumming G - C forever as well. Can't remember the first song I learned though.
(•)> What artists influenced you the most when creating the ray of light that is "Our Brilliant Destruction"?
Musically, I’m not entirely sure, as when I’m writing, I tend to be in a trance-like state—for lack of a better phrase—where I’m not consciously thinking about other artists or trying to emulate anyone. But something interesting did happen during the recording.
The first thing Chris King, the producer, does is lay down drum ideas over an acoustic guitar track of the song, and then we tweak them together. When he came up with the percussive tom-tom fills that became the rhythmic backbone of the song, I was completely blown away—I didn’t see that coming, but I loved it. When I first took a stab at the electric guitar on the chorus, I think I was inspired by those drums, and after recording it, we both noted that it had a bit of a U2 feel, which neither of us had envisioned initially. Chris often says that when recording, songs will tell you what they need, and this was one of those moments. We didn’t really lean into the U2 sound elsewhere, but the chorus definitely brought them to mind as we were tracking it.
Lyrically, I’d have to say Gary Numan. What actually surprises me is the lack of songs addressing climate change. But Numan’s last two albums have been entirely focused on it. His 2017 album, Savage (Songs from a Broken World), imagines a post-apocalyptic world turned to desert due to global warming, blending Western and Eastern cultural influences in the aftermath. Then in 2021, he followed up with Intruder, which takes an even more striking perspective—an anthropomorphized Earth fighting back against humanity for its environmental destruction. As Numan put it, climate change is the Earth’s way of saying, enough is enough.
To me, both albums are absolute masterpieces on climate change, and they’ve been a huge inspiration. It’s rare to see artists tackle the subject so directly, and I really admire the way Numan weaves it into his music with such depth and urgency.
(•)> I have to agree with you. There are not a ton of records defending our planet... To be honest, I'm only remembering Gorillaz' Plastic Beach which isn't too far... What are your favorite albums released by U2 and Gary Numan?
Think Savage is brilliant. He's really changed his sound since his pop heyday. He's very into NIN.
(•)> Thanks for the recommendation! Also, should I check out any record from his pop heyday or do you think Gary Numan is much cooler now?
My favorite older Gary Numan songs are: Cars, Metal, M.E., Are 'Friends' Electric?, Down In The Park. Think my favorite is Metal. Love that song and you just can't deny the catchiness of Cars. Don't know if he's cooler, but actually think on a whole his music has gotten better. Think his last five albums since Jagged Edge. have been brilliant: Jagged Edge, Dead Son Rising, Splinter (a masterpiece in my mind), Savage and Intruder. If you ever get a chance to see him live highly recommend catching him. Puts on a great show.
(•)> What about you? Are you into NIN? Do you sing NIN in the shower? What do you think of Trent Reznor's soundtracks?
Not a big NIN guy. Like a few of their singles but that about does it for me. Uber talented though. The fact he brought industrial music into the mainstream is undeniable and that he also does beautiful incidental music for soundtracks is insane. What a talent.
(•)> I'll give Gary Numan a chance! Do you agree with the pigeon?
I agree with all things bird related. I'm way into birds. I carry binoculars. :) Actually did an owl experience on Saturday at an Avian center. Got to handle four different species - a Barn Owl, a Spectacled Owl, a Burrowing Owl and a Eurasian Eagle Owl, which was really cool.
INTERVIEW WITH MARY STRAND
(•)> Cru cru, what first got you into music?
I’ve always loved LISTENING to music: my mom played jazz (Ella Fitzgerald, Billie Holiday, etc.) seemingly 24/7 in our house growing up, and my older brothers and sisters hooked me on bands like the Beatles. Even the Ed Sullivan show drew me in, although I laughed at some of the artists on his show. I also had the obligatory four years of piano lessons, but I didn’t start PLAYING music until 10 or 15 years ago. I was writing a novel about a teenage girl who takes guitar lessons, so I bought a guitar and took lessons to make my book more authentic … and because I’d secretly always wanted to play guitar.
(•)> What or who is your inspiration to create music?
My inspiration is inside of me … and inside of all of the music I’ve listened to my whole life. I’ve said for years that I want to be a rock star when I grow up, and it’s still true.
(•)> How do you feel the internet has impacted the music business?
In almost every way, from how people listen to music to how (and whether) musicians get paid for their music. But one cool thing is that I can create music in Minneapolis and know that it’s being played around the world. There are more potential listeners now, and it opens doors for musicians. I get a major kick out of that.
(•)> Will you tell us something embarrassing about you?
I used to love driving my kids to school early in the morning while still in my nightgown. One time, my son got something out of the backseat on the passenger side and didn’t quite shut the door before running off to class. I tried driving a couple of blocks with the door partly open but finally had to stop the car, get out in my very short nightgown, and shut the door. Fairly mortifying!
(•)> How is your perfect day?
Waking up in Paris (since we’re talking perfect), walking EVERYWHERE, stopping to listen to music outdoors, and eating a banana-strawberry-Nutella crêpe.
(•)> What memorable responses have you had to your work so far?
From the friends who’ve known me since long before I played music and who are thrilled to death for me. I spent many years practicing law and then writing novels (and I do still write novels, too), so my sudden switch to music was a surprise to a lot of friends. I really appreciate the ones who’ve cheered for me and encouraged me to take this all the way.
(•)> Do you see yourself as a music nerd?
No, sorry! I love everything – almost every type of music but also a zillion other things – and I spend my life engaging in every adventure I can. Music is a big part of my adventure now, but I have extremely eclectic interests in all of life. Sports, travel, foreign languages, and so much more!
(•)> What album do you replay the most?
It’s a tie between Minneapolis band The Melismatics’ Rising Tide and Colombia artist Juanes’s Un Día Normal. I refuse to choose between those two. Love them to death.
(•)> What's your favorite movie?
I love and rewatch a LOT of movies, but two of my absolute favorites that I’ve watched MANY times are Music and Lyrics (Hugh Grant, Drew Barrymore) and Pirate Radio (which is called The Boat that Rocked outside of the United States). Music and Lyrics for the songwriting, Pirate Radio for the glorious rock and roll music.
(•)> Do you agree with the Pigeon?
Pretty sure that’s between the Pigeon and me, but we’re totally cool.
(•)> Are you still into rock n' roll dispite mainstream rock being almost dead?
Are we still into rock and roll in 2024, almost 2025? That's an easy question to answer. Our heads are in 1974, although some of the band members go back as far as 1968 with their MC5, Blue Cheer, Vanilla Fudge, and The Small Faces fixation. We're mostly a 70s-inspired retro rock band, but we are all original. So in our minds, we're not competing with anyone contemporary.. We are competing with the greats of yesteryear, such as Rory Gallagher, Uriah Heep, Nazareth, Deep Purple, Spooky Tooth, Grand Funk, Iron Butterfly, and Mountain. So there's your answer. We are still into classic rock because classic rock is alive and well as long as we are around. I know it is a bold statement, but it's also a system of belief.
(•)> A little bird told me your music journey started with a bunch of mistakes in the Baltic. Do you remember those mixtapes? If yes, what music was inside of them when you hit play?
Now, about the Baltic adventure, I would hardly call it a mistake, more like a series of happy accidents. Yes, it's true, my dad bought me a mono tape recorder back in 1980 when we were vacationing in the Baltics. Estonia, to be more precise. And yes, it did come with two wonderful, stupendous, fabulous mixtapes filled to the brim with hits of the day by the likes of David Bowie, Amanda Lear, Dschinghis Khan, Baccara, ABBA, Boney M, and ELO. Those were probably my earliest influences, musically speaking, and still my brightest memories of rock and pop of the era.
(•)> What awesome CDs did you acquire lately? Do you have a CD tower in prder to expose those beauties to the world? If not, where do you keep your CD collection?
As far as my latest procurement, it's actually a Kevin Ayers 8 CD box set. It's called All This Crazy Gift of Time, a chock full of treasures, not just his period albums starting with A Joy of a Toy, but also rarities, BBC recordings, and so forth. A true delight. I do have countless CDs, it's true. Lavish, comprehensive box sets are the way to go. Individual CDs are still stacked on my wall racks. And box sets are aptly stored in boxes. There are some truly mammoth ones that are worth mentioning. By Camel, Caravan, Family, Streetwalkers, Ian Hunter, Steve Hillage, Uriah Heep, Judas Priest, Wishbone Ash, and Nazareth. There's also the new one by John Mayall. Documenting everything he did with the Blues Breakers and solo, from the very beginning in 1964 up through 1974. It's called The First Generation. And the second volume is coming. This is quite an expensive hobby, but for a collector like myself, it's so totally worth it.
(•)> What are your favorite records from the 70s and what's the 70s magnum opus?
My all-time top favorites from the 70s include Sutherland Brothers - Beat of the Street, Smokie- Midnight Cafe, The Sweet - Desolation Boulevard, Status Quo - Blue for You, Uriah Heep - Look at Yourself, Montrose - Jump on It, Queen - A Night At The Opera, Rory Gallagher - Blueprint, Nazareth - Malice in Wonderland, Wishbone Ash - Pilgrimage, Gilbert O'Sullivan - Stranger in My Own Backyard, Thin Lizzy - Bad Reputation, Golden Earring - Switch, UFO - Phenomenon... And so on and so forth. If I had to think long and hard, and I really didn't, the Definitive Magnum Opus from the 1970s - The Electric Light Orchestra's Out of the Blue - a Double Album.
(•)> What was the best horror flick you' ve seen lately and why?
And finally... Horror Flicks. I don't really watch them because the news these days are full of horror. I do have a favorite from 1976, called Blue Sunshine.
"Solid Ground is the latest single from the Sunrise EP and is a song about environmental collapse."
"Sonically, National Hero is a very upbeat and uplifting tune, yet narratively it deals with emotional themes such as the loss of loved ones, relationship breakdowns, and untapped potential. Its centerpiece revolves around an out-of-body experience."
'"people, places, things' is a poignant reflection of Edho's experiences living in different cities and feeling like a stranger in familiar surroundings."
Drawing inspiration from personal experiences and a desire to convey hope through music, "Closer to the Coast" captures a nostalgic Beach Boys vibe with lighthearted lyrics and a fun aesthetic.
“Wouldn’t Recommend” is a high-octane breakup anthem that blends biting lyrics, soaring guitars, and a commanding vocal performance. The track serves as a cautionary tale, warning future suitors against manipulative relationships while empowering listeners to reclaim their confidence."
"Blackberry Crush is a grunge/shoegaze band from Denver, Colorado. Blackberry Crush has recently joined the roster of Denver DIY label Mean World Records and will be releasing a new EP this spring/summer. The band is beginning to tour and open for more touring acts, and hopes to continue to grow this year."
“Undone” is for anyone who has felt worn out from online dating while still trying to hold onto optimism. It blends lighthearted and silly lyrics with the emotional struggles of putting yourself out there in an unpredictable dating landscape."
“Only” opens with a swell of feedback, giving way to fuzzy guitars and pounding drums. The first verse begins, “You look like you call your mom every day. She tells you you’re strong." While it starts by poking fun at momma's boys, as the song progresses, it burns with self-hatred, capturing the frustration of trying to find a romantic connection and feeling incapable."
"With influences ranging from Pink Floyd and Supertramp to MGMT and Jack White, the band crafts a sound that’s rich in texture and steeped in analog authenticity."
"With their spirited live shows and a growing following in the bustling New Jersey music scene, Birthright is swiftly proving itself as a band on the rise. Their music, marked by intricate guitar melodies, driving beats, and soulful vocals, offers a fresh take on indie rock, showcasing that emotive and relatable music can emerge from suburban roots."
(•)> Hey Ettie, super nice to have the chance to chat with you. What first got you into music?
My favourite thing to do has always been writing. I’ve tried many forms of writing and writing lyrics and melodies became my favourite way to express myself. I love how you have to factor in so many variables, like rhythm, rhyme and syncopation; all to tell a story in a way that stays in people’s heads sonically. It’s a captivating process.
(•)> Do you have any hobbies or interests outside of music?
Ever since a young age I have always been writing to express myself, help me get through things, and I even kind of maybe wrote a novel when I was a teen… So I write a lot of poetry in my spare time. Other than that though, I am just kind of a nerd and I am always looking up facts or history. It makes me great at my ultimate interest: a pub quiz.
(•)> What are you focusing on right now?
To be real, I am really focusing on my mental health and bettering myself. Sometimes it is really easy to lose perspective, especially when life gets really loud and busy. So I am trying to take my time getting to know myself better, and be easier on myself. I often find that’s also the time when you make great music
(•)> Do you consider yourself a music - nerd?
I definitely am about lyrics - but definitely not about music theory! I am terrible at it. I’ve had multiple tutors and friends tell me about it - I am just a lost cause.
(•)> What’s your favorite 90’s artist?
I am a huge fan of girlbands and boybands. They were my starry soundtrack as a 90s baby. So it has to be The Spice Girls! Followed slowly by the Backstreet Boys (Tell Me Why is my one of my karaoke songs…). I don’t trust anyone who doesn’t love them, even as a guilty pleasure.
(•)> Have you ever taught or mentored another musician?
I have had very informal chats with people about the music industry, and navigating releasing music as an independent artist. I am always eager to share my experience and advise people on what I have learnt throughout the years. But I am still learning and in no means an expert!
(•)> Can you tell us a cringe memory of yours?
There are too many to count honestly, but I will give you an honorable mention. When I was living in Edinburgh I went out to an Australian bar with my Australian friends, for Australia Day. I do a pretty good Australian accent, so when I was a little tipsy I decided to pretend I was Australian. It was going super well for a couple of hours, until an Aussie finally decided to ask me where in Australia I grew up. I said “Melbourne”, he said “me too, whereabouts?” … I had to drop the accent because that is the extent I know about Australian geography. Needless to say me and him never became friends.
(•)> What was your favorite subject in school?
I think from my answers you’ll be able to tell it was English, but it was followed very closely by Philosophy.
(•)> What’s your favorite album?
Just like you can’t pick a favourite child, I feel like you can’t pick just one. But my top three are: ‘Let Go’ - Avril Lavigne, ‘folklore’ - Taylor Swift, ‘Riot!’ - Paramore.
(•)> Do you usually agree with the Pigeon?
Most definitely more than I agree with the pigeons in London!
(•)> Hey 9’ o clock Nasty, super nice to have the chance to chat with you. What first got you into music?
Pete was made to get into music by an unscrupulous family friend who made him the guitarist in a child-band that played in smoky bars for sweets and chocolate. Years later he found out how much the family friend had been paid for each gig and hunted them down. Sydd was born from a punk egg and was literally drumming in the cradle. Ted still isn’t into music. He just likes hanging out with musicians.
(•)> Who inspired you to make music?
Adrenaline and the desire to impress people. We thought it would be a care free lifestyle where we would change politics, get laid, get rich and amuse the masses with our dazzling wit. We saw live bands and we knew we could do better. We did better. We are of course now rich, constantly get laid and amuse masses. It was in our horoscopes.
(•)> What are you focusing on right now?
We have our first gigs this summer, starting with a concert in Brighton in August. Our songs were written to be recorded, so we are having to rebuild them to work as a live cabaret show. We want it to be really special and somewhat strange, and from the rehearsals so far, we think it will be both. We’ve also just finished working on a couple of collaborative projects with other bands that will see the light later this year and are new territory for us, and finally we’ve just finished our next release, Team Player, due out of 25th June.
(•)> What are your long term goals?
We are free of long term goals. We live for the moment, for the next release, so the next event. We’re artists in the sense that all we care about is what we make, and once we’ve made it we move on. The closest thing we could have to a long term goal is to create a body of work to be proud of. Viewing figures on Spotify are irrelevant. We would rather have ten people think we were the best band they had ever known than a million who thought we were nearly as goods as Coldplay.
(•)> What is the biggest decision you’ve had to make?
As a band, it was to form the band. We’re strong individuals and we don’t always collaborate naturally. To really be in an effective band together you have to surrender a lot of control and trust the collective to do something better than you can do alone. We spent at least a year almost being in a band. Nearly rehearsing. Nearly having songwriting sessions. We were Strict. Then we were the Koala Mittens (our super secret band chat channel is still called Koala Mittens), then when the land was struck with plague we became 9 o’clock Nasty.
(•)> What’s your scariest experience?
Pete once went on the ghost train at the funfair. At the exit a man dressed in black slapped his hand on people’s shoulders to make them jump. Pete punched him by instinct and soon we had the whole of the funfair trying to kill us. When they found us we were laughing so hard they sort of lost their anger, or decided we were insane and left us alone. More than once hysterical laughter has helped us escape from a dangerous situation.
(•)> Do you have any hobbies or interests outside of music?
None. We are utterly obsessed with music. We spend every spare moment practicing, writing, recording, refining. One day we will finish and we will do something else, but for now, we are 9 o’clock Nasty, and there is nothing else.
(•)> What was your favorite subject in school?
Music, Sex Education, Lunchtime. Ted once made a wooden train in school that was so bad that the teacher burst into tears.
(•)> What’s your favorite 2010’s album?
Catch Nasty. It’s available from our website. We’re anticipating the I Am The Unicorn Head LP, we love Boombox Blasts by the Margaret Hooligans and of course The Qwarks are Cancelled by the Qwarks.
(•)> Do you agree with the Pigeon?
Raccoons and pigeons rarely disagree. So yes. We currently back Pigeon 100%. But we could change our minds.
(•)> Hey Steve, super nice to have the chance to chat with you. What first got you into music?
Hi there! Thanks for getting in touch. Good to see we’re starting with an easy question then ha! Thinking back, music has always been a part of my life, as it has been with many people. We live in a society drenched in musical creativity, from advert jingles to fully formed songs by world renowned artists, it would be difficult to go an entire day without accidentally hearing some form of music! But the point where I decided to engage with it as more than a casual listener wasn’t a singular moment in time but rather an evolution of a love of music combined with an unusual fascination with the electric guitar. Having never played an instrument before, I was always drawn to the guitar for reasons unknown to even myself. It eventually become compelling enough to prompt me to ask for my very own. So on my 14th birthday, after getting my first electric guitar, my love of music was cemented in reality, and I had a direction to point it in, guitar-laden rock music!
(•)> Your latest song is “North Star” . Can you tell us more about the making of it and if there were any unusual things happening during the process?
The making of North Star was quite unusual from top to bottom, not least of all because it was recorded in isolation during a pandemic, but also because it was my first serious attempt at writing and recording music. I’d spent years playing in various bands performing covers of classic rock and pop songs but had never really considered myself a songwriter. When lock-down happened and the gigging stopped, I saw it as a chance to express a different side of myself creatively, and so began the arduous task of learning the craft of songwriting, and arduous it is! I’d like to say I take my hat off to anyone who has sat and written a song or album from start to finish. It’s strangely cathartic but also, as there is no guarantee at the end of a month’s work you will have anything that sounds good, it can be slightly discouraging too. There’s not many jobs that don’t guarantee some sort of payoff at the end, but this is one of them! Fortunately ‘North Star’ turned out great and I’m very pleased that I spent the time learning not only how to create a song, but also how to use the technology involved in all the recording, editing, mixing and mastering processes too.
(•)> When did you fall in love with rock music?
My love of rock music definitely has a single origin point. A moment where my life split into two, there was me before rock music, and me after rock music. I remember it as though it was yesterday! I was at college, fresh faced and full of the joys of life, innocently walking into the college’s social area only to hear on the stereo ‘Surfing With The Alien’ by one Joe Satriani. I didn’t know who he was at the time, but I knew I wanted to do whatever THAT was. Whatever he was doing on the guitar then became a life’s mission for me. Hearing that track then opened the door to all the other musical greats in the genre, and coupled with all of my other more mainstream musical interests I believe it has helped to shape my own personal sound and style which I now create my own songs in.
(•)> What do you think your role is in this world?
My role in this word is to write the best instrumental guitar song ever! And I’ve done it now. It’s called North Star, and I’m destined to be adrift for the rest of my days, an existence void without meaning as I’ve achieved my life’s purpose already. A burden I don’t mind bearing to be honest!
(•)> What was the most difficult challenge you faced?
Though I loved playing, studying theory, and performing with the guitar, I was always turned off by the technology side of the music world. Recording, mic placement, mixing, mastering, editing. It all just seemed so dry to me compared to the expressive freedom that an instrument can bring. This meant that as I came to record the track I had a lot to learn in terms of music tech, including all of the software that musicians use in their home studios now. The availability of all of this technology does allow more people, including myself, to be creative and bring their music to the world but it also has the downside of the artist now has to be skilled in every aspect of production. From songwriting to recording, to using virtual instruments, mixing, mastering, promotion, social media management. The list is endless! It can be overwhelming and easy to get distracted from why I decided to do this in the first place, because I loved playing the guitar.
(•)> What are you most proud of?
I’m most proud of having taking on the challenges of everything I didn’t know in music technology. It’s been a giant learning curve but I’m proud that I remained motivated and inspired enough throughout it all to come out of the other end with a song and an album that I can stand by for years to come.
(•)> Do you listen to podcasts?
I do listen to podcasts yes, mainly when driving as there’s less adverts on them than the radio! To be honest though none are really music related, I tend to switch off when listening to podcasts and go for something easy to listen to including comedy or audio books.
(•)> Do u think technology is improving lives?
I take the stance that technology is very much a double-edged sword. It does provide very obvious and immediate benefits to people’s lives; instant communication, films, music and games all at the click of a button. It’s also much easier to have wider social groups than ever before, which all sounds great, right? Well on the other hand, it can also impact people’s lives negatively. Online interactions often replace genuine human contact, and though mobile phones; for example, are great, people often find they interact with friends more, but see them less and less when using technology. If I were to be dramatic; which I’m about to be, so brace yourself, it could be argued that this type of interaction through technology, coupled with an increased distancing from genuine one to one experiences can’t be good for a persons mental health in the long term. Now all of that said, I think the internet is great and I release my music online, which allows it to reach people that otherwise may never have heard it. Which is a very good thing! So is technology good or bad? It’s probably a bit of both.
(•)> Do you like “All Star” from Smash Mouth?
I do! I mean, everyone does. Right?
(•)> Do you usually agree with the Pigeon?
Only when he’s not trying to steal my chips.
1. Hey Casper, super nice to have the chance to chat with you! First and foremost what got you into music?
We started Red Relations in 2020. Before that we had played cover music for many years. Corona pandemic though gave us the time to follow our dreams and therefore started our own rock band. In the following months we meet several times in the rehearse room trying to find our own and unique sound.
2. Your latest song is “Circle Of Diamonds”. Can you tell us more about the making of it and if there were any unusual things happening during the process?
Circle of Diamonds is song about being a young and man, having a party with friends, but also having a hard time staying away from tempting sluts on the street. We believe that many young people (like ourselves) live in a very liberated and prosperous time. We can party all night long and spend money from our parents' credit cards. There are many temptations in the nightlife. For example, shiny sluts on the street corner. How can you resist it in a state of intoxication?
3. What’s your favorite album?
We really love the 2016 album by Dizzy Mizz Lizzy "Forward in reverse". So many powerful and great rock songs like "Made to believe" and "I would if I could" are among our favorites.
4. What is the biggest mistake you have made within your career to this point?
The biggest mistake is that we should have started this band a long time ago. We're just having such a great time together creating these songs.
5. What’s your favorite 2000’s album?
We really like "Everything Glows" album by D-A-D.
6. What are you focusing on right now?
We have focus on being ready for summer concerts and also recording new songs for EP release in October.
7. What accomplishments do you see yourself achieving in the next 5 to 10 years?
We hope to be able to establish ourselves as a great rock band that many people want to come and experience at festivals and stadiums (why not dream big?). We dream of traveling and experiencing the world together, and having the opportunity to explore different cultures.
8. Where is the best place in the world you’ve ever been to?
Hmm. Hard to answer. Some would say at home with mom eating her food ;-)
1. Hey Tatum Quinn, super nice to have the chance to chat with you. What first got you into music?
Hey Pigeon, super nice to chat with you as well! From the time I was a kid I loved music. I always carried around my CD pouch & would listen to music for endless hours on my CD Walkman, singing on the top of my lungs! My parents had music playing around the house at all times growing up, which definitely exposed my brothers & I to such incredible songs and bands. We were exposed to everything from Aerosmith all the way to Ray Charles! My parents would also talk to us in depth about music & the songs/bands we’d listen too. My family’s love for music definitely influenced my music taste & i know their a huge reason for my love of music and why I got into it in the first place! Music always made me feel better on really bad days, growing up struggling in school due to a learning disability (dyslexia), caused me a lot of hardship & music was that life-line for me! The only place I felt I really “fit in”.
2. Your latest release is "Sell Your Soul" . Can you tell us more about the making of it and if there were any unusual things happening during the process?
Sell Your Soul was inspired by something most of us emerging artists experience at some point or another; disappointment, self-doubt & frustration. The song was written about wanting something so badly, you’d do anything for it, you’d even Sell Your Soul. I felt completely defeated after the constant let downs of the music industry and getting up time and time again when life only wants to push you down became too much for me. I wanted the music video to reflect that same feeling & to be completely honest, shooting the music video for Sell Your Soul was its own type of “hell” in many ways!
We shot during the cold Canadian winter, where we had to use an open garage, & being dressed in very little clothing was not the most comfortable in that type of weather! Further into the music video, we see me drenched by “rain”…That “rain” was actually freezing hose water! Now hose water is cold on a good day, but when the temperature is already -4C, you can imagine the brutality of it! That being said, it was a really cool experience to write a song that came from so much pain, & then being put in uncomfortable/brutal circumstances for the video shoot added to the story! I wouldn’t change A THING about the shooting process!
3. In your opinion; What’s the best decade for music?
Haha! This is a tough question because I think every decade has its perks but I do have to say my heart lies with the classics (70’s rock), but of course being a 90’s baby I have a HUGE soft spot for the 90’s & early 2000’s as well!
4. What’s your favorite genre and/or song?
Most people don’t know this about me but my favourite genre of music is actually Blues. I believe nothing can make you feel the way the Blues does! On the other hand, i’m also a huge sucker for Australian Hip-Hop! I was exposed to this genre when a friend showed me a band called Hilltop Hoods & that’s where my love for Aussie Hip-Hop skyrocketed! Choosing a favourite song/genre to me is like choosing your favourite child (it’s next to impossible), but if I had to choose, currently my favourite song is “I’m Good by Hilltop Hoods”
5. Do you sing in the shower? What songs?
I’ve never been asked this question before but I love that you asked it! When I was younger I used to sing in the shower a lot! As I got older, not as much, but recently starting singing in the shower again! The last song I sang in the shower was “Livin’ La Vida Loca”!
6. What is it about music that makes you feel passionate?
What makes me so passionate about music is the way it brings people together. You can go out not know a single person, but a song comes on that everyone knows and all of a sudden you have a bunch new friends for the night! I also love the way music makes me feel! There’s a song out there for ANYBODY & for ANY mood! I know for me, music can take me from an awful mood to smiling & dancing! Music soothes souls & saves lives! How can people not be passionate about that?
7. What strengths do you have that you believe make you a great musician?
I’d say the strengths I have are; I take direction really well & I work really hard! I’m always looking to better myself & my craft. I’m not someone who looks to get upset over somebodies opinion of me or my music because music is so subjective, & everyone got an opinion! I’m also pretty open to hearing other peoples suggestions/opinions & I’ll try anything at least once!
8. What’s the biggest accomplishment you have made with your career to this point?
I think my biggest “accomplishment” I’ve made in my career so far is probably having the opportunity to have 2 original songs of mine on Ubisoft’s video games “Just Dance”. (That went under a different name - Sammy/Sammie). But other than that I think getting to work with such talented musicians & mentors who’ve helped me hone my craft over many years is a huge accomplishment in my eyes
9. Do you have any hobbies or interests outside of music?
I do have some hobbies outside of music! When I’m not working on music, I spend most of my time drawing! I also really enjoy bar tending, long-boarding, pole-fitness & daydreaming!
10. Do you often agree with the Pigeon?
Normally i’m not a huge fan of birds, but this Pigeon is a really lovely one.