MARXIZ Turns Intimacy Into Shape

On “Body is a poem,” the Colombia-born, Norway-raised artist refines the neo-soul promise of “Santiago de Cali” into something leaner, and warmer

MARXIZ’s “Body is a poem” feels like the point where promise becomes identity. After the earlier “Santiago de Cali” — a 2024 single built with producer Kato Ådland and co-produced by MARXIZ — this 2026 track arrives more concentrated, as if every phrase has been trimmed to keep the emotional pressure high. I hear a singer working inside the R&B/soul frame with a wider palette underneath. The neo-soul warmth and jazz-inflected phrasing noted in her live profile are still there, only now they sound more natural. What I like most is the tension between delicacy and confidence. The title suggests a body rendered as text, and MARXIZ leans into that idea with a performance that feels tactile and intimate. Carefully built, it lets atmosphere and melodic poise do the heavy lifting.

Interview

What changed in your writing process between “Santiago de Cali” and “Body is a poem”?

The new single feels more focused — did you intentionally strip the arrangement back?

Was “Body is a poem” the first line, image, or idea that unlocked the song?

How did the production shape the emotional temperature of the track?

What did you learn from the collaboration process on “Santiago de Cali” that carried into this release?

How do your Colombia-to-Norway roots show up in the song’s imagery or emotional register?

Where do you hear hip hop, jazz, R&B, and neo-soul most clearly in the final mix?

What part of the song was hardest to leave unadorned?

Did you approach the vocal as confession, observation, or performance?

Which lyric in “Body is a poem” feels like the center of gravity for you now?

What does this single reveal about the next step in your sound?

(•)> That's all, Folks! Check out MARXIZ on the Pigeon Opinion Playlist