LOUD ROCK

This is a one-sided LP with 2 songs (10 min each) and a silkscreened b-side. Stuff is being mastered by Brad Boatright at Audiosiege. Vinyl comes in two versions: black vinyl with white silkscreened b-side and bone color vinyl with black silkscreen.

"I think this new video from the upcoming "Gravity Sessions" is very exciting and intellectually stimulating. The music is hard blues rock, and the lyrics tell the tale of a man haunted by a brief visitation by a supernatural lover. The video casts the narrator in the role of a military commander, and the visitor in the role of various goddesses such as Ishtar, Hecate, Kali, etc...which hopefully gives even more food for thought" - Rosetta West

"Many of you may have already checked out the song already, but the video brings it to another level, I think - it depicts an older man reflecting back on a life-long musical journey. I think it's pretty cool and I hope you do too" - Rosetta West

INTERVIEW WITH MIQAEL

The Swedish artist MIQAEL has collaborated with Brazilian artist ANNIÊ and created the EP ”Love & Death”. 4 songs which tells the story of doing whatever you can to be with the one you love, despite that death stands in your way.

(•)> Cru cru! What first got you into music?

I early memories. 1 is a tv show that was like a music tribute show. I remember one sang "I love it loud" and got made to look like Gene Simmons. I thought it was the coolest band ever.

Then a shortly after I remember seeing some news footage of a band playing nude, and I thought the music sounded so great. The band was Green Day.

(•)> What's your favorite album of all time?

Really hard to answer. But there are some that's always been in my top.

Iron Maiden - Somewhere In Time.

System Of A Down - Mezmerize/Hypnotize (can't choose between them).

Misfits - Walk Among Us.

(•)> What record from the 2020's do you replay the most?

Ghost - Impera.

(•)> What should the Pigeon listen to next?

The brazilian artist Anniê who sings on my EP. She got a great EP called "Chaos".

(•)> What memorable answers have you had to your work so far?

Someone wrote "Unrelease this", which I thought was pretty funny.

(•)> Who is your inspiration when creating music?

Also here, too many to mention. But I've been very inspired by Tobias Forge and his success with Ghost.

(•)> Which film do you rewatch the most?

"The Road", such a beautiful and depressing movie. Maybe the only movie that made me read the book. I'm also really stoked about the upcoming "28 Years Later", I love both previous entries in that franchise.

(•)> How is your perfect day?

A complete work and chore free day. And that everyone is healthy.

(•)> Will you tell us something embarassing about you?

I hate spiders, even the tiniest ones. And I don't have the heart to kill them, so I have to scoop them up on something and throw them out of my house. Not my most manliest self while I'm doing it.

(•)> Do you sing in the shower?

If yes, what's the setlist? Rarely, but if I do, most certainly some 50/60's song.

(•)> What's your Hot Take - your most controversial music opinion?

I don't like Meshuggah. And therefore, I can't get into most newer metal bands.

These songs contain a political message of Antiwork, Worker's Rights, Pro-Labor Unions from the perspective of a neurodivergent person that has struggled fitting in with society and in the workplace.

INTERVIEW WITH DEFLECTING GHOSTS

"Broken" is a raw and emotionally charged track that explores the turning point between denial and self-confrontation. Written from the perspective of someone observing their own unraveling, it captures the weight of personal reckoning after years of addiction and inner conflict. With heavy riffs and haunting vulnerability, Deflecting Ghosts deliver a powerful reflection on surrender, struggle, and the long road toward self-acceptance."

(•)> Cru cru! What first got you into music? I’ve always been into music as long as I can remember.

My dad played guitar as I was growing up and I started taking lessons very early.

(•)> What's your favorite album of all time?

Cold 13 ways to bleed - Luke

That’s tough, I’d have to say Cold 13 ways to bleed or Korn follow the leader- Rhema

(•)> What record from the 2020's do you replay the most?

Ice Nine Kills The Silver Scream

(•)> What should the Pigeon listen to next?

Deflecting Ghosts

(•)> What memorable answers have you had to your work so far?

I do not think therefore I do not am- Rhema

(•)> Who is your inspiration when creating music?

Pain , self hatred- Rhema

Pain and tragedy! I’ve experienced so much of both and gotten through it so my songs usually start with the struggle and usually end with me accepting what had happened.

(•)> Which film do you rewatch the most?

Don’t really watch movies much anymore but my most rewatched film historically would be “Sheena Queen of the Jungle” because I’m named after Sheena , it’s actually my first name. Not sure why everyone always called me by Rhema one of my 2 middle names. -Rhema

We haven’t turned our TV on in over a year. - Luke

(•)> How is your perfect day?

I’d imagine if there were such a thing as a perfect day, I’d be a day late and a dollar short for it. I’m always late. -Rhema

There isn’t one. -Luke

(•)> Will you tell us something embarassing about you?

I don’t really know I don’t do too much I always feel uncomfortable about everything I do even while I’m by myself which is why I don’t sing in the shower. I wouldn’t even hold my moms hand in public when I was 3 years old.

(•)> Do you sing in the shower? If yes, what's the setlist?

I don’t sing in the shower

(•)> What's your Hot Take - your most controversial music opinion?

The music industry has lost its passion. No one cares about music anymore and it’s a shame. A song used to be good just because it was a good song. Now it’s good because it’s a certain way and a certain quality and a certain structure. No one loves or even recognizes the raw beauty that drives someone to writes a song out of pure emotion. Nowadays People write songs because it’s what people want to hear you sing about.

I write the music first then I write the lyrics so that the music brings out the emotions. I start playing the music and just start singing and I write down what comes out. It’s a release for me it’s necessary and it’s real. The majority of the Music that’s out today while even though it’s good music and I listen to it but is fake. Take Motionless in white for example was one of my favorite bands and I listened to them since they started up until that Disney movie ripoff werewolf music video came out. That was The second most obvious sell out I’ve ever witnessed. Now they are just attention seeking pushovers that will cave in to the industry just for the fame. Which brings me to the number 1 band to sellout in my opinion. Bring me the Horizon they are even more sickening. Another one of my favorite bands. I listened to bmth since they first started and then they get a Grammy nomination for a decent song of theirs and they sell out faster than a Taylor Swift concert and don’t get me started on her.

INTERVIEW WITH ROSETTA WEST

I think the lyrics and music of "Circle of Doubt" work beautifully together to create a sense of loss, doubt and near-despair, but with a flicker of fighting spirit remaining. The hard repetitive, kind of stoner riff contrasts strikingly with the delicate decorations of high notes. I think it's a very good song, as is "The God Who Made Me Cry" - a bonus track that contemplates deicide.

INTERVIEW WITH NORTHERN TUNDRA

With "STORM," THE NORTHERN TUNDRA delves into the power and beauty of nature's fury, inspired by the blizzards of Québec. The track immerses listeners in a whirlwind of unrelenting rhythms, mirroring the storm's intensity while also showcasing its captivating allure.

(•)> Cru cru! What first got you into music?

I started playing guitar some 20 years ago for the sole purpose of composing my own music.

(•)> What's your favorite album of all time?

"BRUTE FORCE" from The Algorithm

(•)> What record from the 2020's do you replay the most?

"Zelda & Jazz" from The Deku Trio

(•)> What should the Pigeon listen to next?

From my tracks? The song called "REVENANT". Otherwise, I would suggest "Clockwork - Instrumental" from Northlane

(•)> What memorable answers have you had to your work so far?

Folks consistently tell me they love the aesthetic of the music, and the fact that they can "zone out" while they listen to my music, allowing them to work.

(•)> Who is your inspiration when creating music?

The Algorithm, Gojira, Meshuggah and Emmure.

(•)> Which film do you rewatch the most?

John Wick (the first one).

(•)> How is your perfect day?

A day where all I do is fight-train, have sex, and eat. Is that Valhalla?

(•)> Will you tell us something embarassing about you?

I love watching the Cars movies with my young son. I think I enjoy it much more than him since I've loved cars since I was little.

(•)> Do you sing in the shower? If yes, what's the setlist?

I don't. I humm video game music- mostly the Zelda tracks and some occasionnal Super Mario bangers.

(•)> What's your Hot Take - your most controversial music opinion?

Lyrics don't belong in music. Vocals absolutely have no place alongside instruments- every lyrical content that could be done HAS been done a long time ago. Mumble rap and the rock-bottom quality of new and upcoming female rappers is all the evidence you need to know I'm right about this. :)

INTERVIEW WITH JAY LUKE

"Tornado of Mistakes" stands out as a compelling track that showcases Jay Luke's profound storytelling and musical depth. The song's thematic exploration of self-awareness and the impact of personal focus resonates deeply with listeners, making it a significant addition to Jay Luke's discography. With over 50 performance dates lined up for 2025, Jay Luke is poised to captivate audiences with his emotive vocals and Michael "Duds" McDonald's ferocious lead guitar skills, promising a memorable musical journey for all who tune in.

(•)> Cru cru! What first got you into music?

I was influenced early on by my parents—my mom was a Rolling Stones fan, and my dad loved Led Zeppelin. Somewhere between their tastes, I discovered my own musical path through bands like Van Halen, KISS, and Guns N’ Roses. MTV was practically a religion in my house growing up, and the energy of rock ‘n’ roll completely captivated me. It didn’t take long before what started as fascination turned into a full-blown obsession—and thankfully, it still hasn’t let up.

(•)> What’s your favorite album of all time?

The Crimson Idol by W.A.S.P. That record was a turning point for me. Before hearing it, I had always been passionate about music, but after listening, I knew—without a doubt—that I needed to be a musician and a songwriter. The emotional weight of that album hit me in a way nothing else ever had. Even now, years later, I find new meaning in it every time I revisit it.

(•)> What record from the 2020s do you replay the most?

That tends to shift depending on the week, but lately, I’ve been replaying the Liam Gallagher and John Squire collaboration. There’s something really compelling about it—Squire’s guitar work, in particular, stands out and keeps me coming back for more.

(•)> What should the Pigeon listen to next?

Hanoi Rocks. Criminally underrated and incredibly influential—they’re essential listening.

(•)> What memorable answers have you had to your work so far?

If we’re talking about the kind of personal revelations music can bring, then I’d say the most powerful “answers” have come from the realization that success, fame, or accolades don’t fix what’s broken inside. I used to chase all the classic rock clichés, but over time, I learned that what matters most is being genuine—writing and performing with honesty, reflecting on the people I may have overlooked, and creating for the sake of truth, not ego.

(•)> Who is your inspiration when creating music?

These days, my biggest inspiration comes from observing the world around me and the people in my life. My girlfriend Lori Leader has been a huge creative muse. Her humility, intelligence, and heart inspire so much of what I write. In contrast to the glorification of shallow celebrity culture, she embodies everything we should be celebrating more. I want my music to shine a light on people like her—the unsung heroes most of the world overlooks.

(•)> Which film do you rewatch the most?

The Money Pit with Tom Hanks. It’s hilarious, and as I’ve grown older and become a homeowner myself, it’s also become painfully relatable. (Laughs)

(•)> How is your perfect day?

A perfect day is one where I don’t have to wake up too early after a late night of working or performing. I get to start the day slowly, make coffee for my girlfriend and myself, and actually enjoy some quiet time at home. I work full-time and perform regularly, so those quiet, present moments in between have become incredibly meaningful to me.

(•)> Will you tell us something embarrassing about you?

Apparently, I’ve reached the point in life where I can’t move, sit, or stand without making some kind of sound effect. It’s becoming my unintentional soundtrack.

(•)> Do you sing in the shower? If yes, what’s the setlist?

I wish I had a clever answer here, but honestly, my showers are pretty quick. If I had to pick songs that match the timeframe, it’d be something fast and short—so probably Ramones tracks. Efficient and still rockin’.

(•)> What’s your Hot Take – your most controversial music opinion?

One of the biggest problems in the industry today is the illusion being sold to young musicians that fame from TV talent shows like American Idol is the ultimate goal. Being a real musician is about resilience—playing live shows night after night, learning how to read a room, handling criticism, and building a thick skin. But above all, it’s about humility. No level of success makes you better than anyone else. The moment you believe otherwise, you’ve lost the plot—and the soul—of what music is truly about.

INTERVIEW WITH MARCUS: THE APEX PREDATOR!

"We are a Detroit-based post-hardcore (or something) group that prides ourselves on throwing equal parts guts, brains, musicianship, and stories into a blender, setting it to "honest intensity," and letting it rip. It had been too long since our 2018 debut record, and we like to think we've made up for lost time on this new one."

(•)> Cru cru! What first got you into music?

Kevin from M:tAP!: Cru cru! Thanks for taking the time with me! I can't remember a time in my life without music. It was always on in my house when I was growing up. My earliest musical memories are of the University of Michigan Marching Band on football saturdays in Ann Arbor, Michigan (Go Blue!), and buying Michael Jackson's Thriller and the Ghostbusters soundtrack from Toys R' Us when I was a kid.

(•)> What's your favorite album of all time?

Kevin from M:tAP!: If I had to choose just one, it's "Relationship of Command," by At the Drive-In. I don't think I've ever been more blown away by a record than when I first heard that.

(•)> What record from the 2020's do you replay the most?

Kevin from M:tAP!: "Formal Growth in the Desert," by Protomartyr. Protomartyr (from Detroit, Michigan) is one of my all-time favorite bands and their most recent record is their best. I think I have worn through the vinyl at this point.

(•)> What should the Pigeon listen to next?

Kevin from M:tAP!: After you go back and listen to M:tAP's back catalog, you should listen to anything by Protomartyr!

(•)> What memorable answers have you had to your work so far?

Kevin from M:tAP!: Ha ha! We have had some absolutely terrific reviews of Newborn Fossil from some truly amazing writers. But I did recently read one that, while positive, was a bit puzzling. It compared us to Collective Soul and Bad Religion in the span of about four sentences. I mean... OK...

(•)> Who is your inspiration when creating music?

Kevin from M:tAP!: Musically, we have a lot of influences: ATDI, Queens of the Stone Age, the Clash, Fugazi, Jawbox, Metallica, Public Enemy, Jawbreaker, Husker Du, and on and on. Spiritually, I believe music is one of God's greatest gifts and Nick (M:tAP! drummer) and I feel that we're duty-bound to put that blessing to work.

(•)> Which film do you rewatch the most?

Kevin from M:tAP!: I think I've seen Commando (Arnold Schwarzenegger) about 50 times. Collectively, I would say I've seen movies (and TV shows) from the Star Wars franchise more than anything else. I'm a huge Star Wars nerd.

(•)> How is your perfect day?

Kevin from M:tAP!: Watching the University of Michigan Football team win a big game (preferably over Ohio State) with my family, and then celebrating by spinning records and drinking a few beers with my friends.

(•)> Will you tell us something embarassing about you?

Kevin from M:tAP!: Before I met my wife, I did not know how to use my dishwasher and I never watered my lawn. I also had almost no pictures or artwork on my walls and had never tried pesto. You might say she's been an important influence on me and my social standing in the neighborhood.

(•)> Do you sing in the shower? If yes, what's the setlist?

Kevin from M:tAP!: I wake up before my wife, so I have to be quiet in the shower. As much as I would love to belt out Dolly Parton or Al Green in the shower, it's just not happening.

(•)> What's your Hot Take - your most controversial music opinion?

Kevin from M:tAP!: I sometimes have my doubts, but I don't think AI, Spotify, TikTok and all of the "new hotness" will ever eclipse the power of hearing amazing music performed live, among a group of fellow human beings. If you look at footage of Woodstock or the early Lollapalooza shows, or just think of seeing your favorite band in its infancy in a sweaty bar--there's nothing like it. No computer, bot, or algorithm will ever replace that spiritual human experience and as long as some sliver of humanity keeps that alive, there is a chance for rebirth and awakening.

INTERVIEW WITH TILT 360

Delving into the heart of their music, "It Grows" explores themes of personal struggles, innocence, and emotional turmoil. Billy Smaltz's dark painful lyrics reflect his own battles with addiction and experiences, while tracks like "Innocence" capture the purity of childhood and the loss of innocence in a complex world. Drew Salzano's heartfelt composition, "Drown," delves into the depths of heartbreak and emotional pain, adding depth to TiLT 360's repertoire. Recorded in Youngstown, OH, and Harrisburg, PA, this EP showcases the band's evolution and commitment to delivering powerful, thought-provoking music to their audience.

(•)> Cru cru! What first got you into music?

I always loved listening to music coming up in the 80's and 90's. Grunge sound and old hip hop could describe how I felt inside when I couldn't find the words. I was always a good writer but didn't think I could play until I picked a guitar up at 21 and then started.

(•)> What's your favorite album of all time?

Favorite album is Pearl Jam ten

(•)> What record from the 2020's do you replay the most?

I don't really play any, it's all older or my own that I record and mix

(•)> What should the Pigeon listen to next?

TiLT 360 - The Ride Down

(•)> Who is your inspiration when creating music?

There's no "who" per se , there's my emotions or what I am dealing with in life at that time I pen words out for therapy like a diary. If I have a guitar riff structure already made that the mood fits those lyrics I will rework that, or if the band already has music written and I can put the lyrics to something that it fits too.

(•)> Which film do you rewatch the most?

I really don't watch to many movies anymore but when I did, I could watch lethal Weapon over and over or Eternal sunshine of a spotless mind and Reqierm for a dream. One of those on repeat.

(•)> How is your perfect day?

A perfect day for me is get up early get all my errands run and tasks that I need to do for the day. Play a little bit of my music, go coach boxers and get a little workout in. So I'm home shower eat then read a little bit of a book or watch TV that's a perfect day for me.

(•)> Will you tell us something embarassing about you?

I'm not embarrassed anymore of anything but it used to be my drug addiction and the havoc that I wreaked during it. Now it is used as a weapon for a testimony to help others

(•)> Do you sing in the shower? If yes, what's the setlist?

Hell yeah I sing in the shower, it's the best reverb there is ain't no sound man or any plug in that can get that reverb right everyone sounds good in the shower. I sing whatever comes to my mind Michael Jackson, Prince, worship music, baby Got back, Pantera, ooh child things are going to get easier that's a go-to!!

(•)> What's your Hot Take - your most controversial music opinion?

My band TiLT 360 is the best unsigned independent band out here for our genre of music. We have the music, talent, and the look with a cute 4' 9" girl drummer that crushes those skins. Sadly the business doesn't care about your musical talent as much as the marketing value of your looks and can they promote it mainstream. I love my city Youngstown, OH, it's the toughest town there is especially boxing however being from a little big city we get overlooked. If the labels heard the sounds of bands we played with in our local scene there would be a lot of record deals. The talent of musicians around northeastern Ohio and western, Pa if better that half the signed touring bands out there. Finally, American bands sadly get love in Europe before their own cuz of the business and greedy labels.

Interview with The Rumble Cats

(•)> Why is this release noteworthy?

This is a anthem to anxious people that want to belong to something or someone. It has iconic moments feeling fresh

(•)> What inspired the artist to create this music?

The desire to create our own music and having complete control over our creative and recording process

(•)> What can listeners expect from the release?

This is a cohesive song full of introspective ethereal and solitary ambience that can touch your heart with power

(•)> What is the story behind the release?

Our lead singer wrote the lyrics after hearing the instrumental. Inmedeately he imagined the topic of the song. He embraced the internal struggle that he had a the moment

(•)> What makes the release stand out from others?

It is produced with love, passion and dedication. And it´s one of our favorite songs from the album

(•)> Why is this release noteworthy?

Raw energy and decent dynamic efforts

(•)> What inspired the artist to create this music?

After an unpleasant incident with a drug dealer

(•)> What can listeners expect from the release?

Throwback to 1990s Grunge

(•)> What is the story behind the release?

I sing about what I lived through

(•)> What makes the release stand out from others?

Raw energy and a decent quality recording

(•)> Cru cru! What first got you into music?

i started playing clarinet in 1968. in symphonic and marching band i switched to trombone and then to bass trombone in 1970 and then tuba in 1972. i held 1st chair on each one. in between thios all, in 1971 i secured a bass guitar, a cheap japanese one and the rest is history

(•)> What's your favorite album of all time?

my favorite album ever is jethro tull-thick as a brick-1972.

(•)> What record from the 2020's do you replay the most?

the only thing i'm famaliar with in the 2020's is the slew of great Tull albums, probably 'rockflote' the best

(•)> What should the Pigeon listen to next?

Pigeon should listen to my whole ''cheap japanese bass'' album-it tells a story and i play 25 instruments in it-the most unusial a classical mellophone which is a hybrid between a french horn and trumpetd

(•)> Which film do you rewatch the most?

my fave movies, both from 1993-schindler's list and the 1st jurrasic park

(•)> How is your perfect day?

a perfect day-serving my G-d, recording in the studio and hoping i don't get too sick

"The Demons We Create" is the first major release from DARK LIGHTNING and represents a clear further development of the band's individual SYMPHONIC METAL sound. Thematically, the profound work is dedicated to the inner struggle with personal demons and the confrontation with past experiences. The dark and emphatically emotional atmosphere is emphasized by varied vocals, driving guitar riffs and orchestral elements that make this album worth listening to an intense musical journey.

Recorded in Clare's humble abode in Menai, the single stands out not only for its raw and unapologetic lyrics but also for its unique recording process. Using just an iPhone and Apple headphones, Clare emphasizes the accessibility of music production, aiming to empower individuals from all walks of life to find their voice. As the release date approaches, Clare Easdown invites listeners to join her in challenging societal norms, amplifying voices, and making a statement against the predominant forces that dictate our lives.

(•)> Cru cru! What first got you into music?

Cru Cru!!! Thank you so much for this opportunity for a fantastic interview.

Clare: My father bought me a violin and taught me basic songs like "Mary Had a Little Lamb" as lame as it was, it gave me a thirst for more.

Jade: What first got me into music was Janis Joplin "Piece of My heart" after hearing that I tried to write all my own songs. That is basically my earliest memory of being addicted to a song or music and seeing how it can take you on a journey.

(•)> What's your favorite album of all time?

Clare: Oooo tough question however I was drawn to the album art in a CD store as a teen of "The Cure" "Apart" and blasted the entire album on repeat.

Jade: Mine would be King Princess "Cheap Queen"

(•)> What record from the 2020's do you replay the most?

Jade: oooooo tough tough one however, Comfort to me "Amyl and The Sniffers"

Clare: Mine would have to be Miss Anthropecene by Grimes.

(•)> What should the Pigeon listen to next?

Jade/Clare : Hard choice however both Jade and I have it. Lost on You by LP

(•)> What memorable answers have you had to your work so far?

Clare/Jade: Busking! It is a real rush when people in the street vibe with us and sing our lyrics.

(•)> Who is your inspiration when creating music?

Jade: I'm inspired by Amyl and The Sniffers, Kathleen Hanna and King Princess. King Princess has incredible lyrics and puts on a show like no-one else. Highly recommend seeing them live!

Clare: My deepest inspiration so far again would be Grimes, I Love how she uses Garageband in her early years and the simplistic nature of her music videos. I also love her ethereal vocals.

(•)> Which film do you rewatch the most?

Clare: I force Jade to watch my all time corny favourite "Sweet November" starring Keanu Reeves and Charlize Theron. Oh dear this one is baaaaaad however Jade loves to watch the sex scenes. :P

(•)> How is your perfect day?

Clare/Jade: Chilling, blasting music through the car whilst going for a spin.

(•)> Will you tell us something embarassing about you?

Jade: Something embarrassing about me? So many things... where do I start? I can recite the movie "Ten Things I Hate About You" word for word.

Clare: I love to throw, mush and play with bananas (yes the fruit) when I'm manic.

(•)> Do you sing in the shower? If yes, what's the setlist?

Jade: I do! Usually anything by Girli or G-Flip! The setlist and one of them I love to sing by G-Flip (it's so bad) "Worst Person Alive". I've also been known to pump out "The Veronicas!!

Clare: Oooooooo this is a bad one. I belt out "Titanic" "My Heart Will Go On" however I do the operatic version. No lyrics, just loud random belts.

INTERVIEW WITH THE RED LIGHT DISTRICT

This new EP sees The Red Lite District return to their punk and grunge routes with a thunderous

collection of songs. With new drummer, Vitali Siliuk, the band sound fresher and more energetic than ever. The EP is a riotous blast of sound and melody from beginning to end.

The track ‘You Were Never in Love’ is the bastard child Nirvana and The Stooges never had: a

thundering and melodic bolt of lighting, this song just does not relent in its carnal nihilistic journey. ‘Be Adored’ also contains a similar aesthetic, this time it is more grunge than punk, with a moody anarchism brooding at every corner. ‘Living in Slow Motion’ tempers things down in speed but not meaning. This song descends on itself, reflecting on a life only half lived. The speed is brought back up with ‘Bored’ a track that straddles the line between pop, grunge and punk like no other. This song can hook you, punch you and intrigue you all in the space of three quick minutes. ‘Brute’ sees the band spit out some of the speediest and most powerful punk produced. This song recalls the notes of a murdered Polish poet during World War 2, this song is an energetic ode to freedom the world over. Finally, the EP ends with a blast of punk and oi with the track ‘We Are Al Working Class Now’. A play on the 1990’s New Labour phrase, the song seeks to harmonise the basic instincts of humankind - the classless pursuit of a good time. Every track here sees The Red Lite District at their energetics and melodic best. The lyrics are a captivating mixture of abstract and reality. This EP has something - if not everything - for modern rock fans.

(•)> Cru cru! What first got you into music?

I first got into ealy REM, I liked that style of alternative rock - moody and vague. Then I ended up hearing bands like Offspring and Bad Religion, and I loved the lace and energy of punk.

(•)> What's your favorite album of all time?

It’s a hard question. Possibly a toss-up between No Control by Bad Religion. But then there’s Acts of Joy and Resistance by Idles, and there’s also Document by REM. Too many. No Control by Bad Religion probably takes it.

(•)> What record from the 2020's do you replay the most?

Definately Comfort to Me by Amyl and the Sniffers.

(•)> What should the Pigeon listen to next?

Our new single Brute, when it comes out on 1st June. But if you’re looking for something before then, maybe Heavy Jelly by Soft Play

(•)> What memorable answers have you had to your work so far?

We’ve had some nice compliments - our drummer Vitali has had some great compliments, which is brilliant because he’s brilliant.

(•)> Who is your inspiration when creating music?

We don’t have too many. Musically it’s a bit of a mix, REM, Nirvana, Pixies, Pumpkins, Bad Religion, Stooges. We just write things as they come. No particular focus.

(•)> Which film do you rewatch the most?

Killer Klowns from Outer Space!

(•)> How is your perfect day?

Drinking whisky cocktails!

(•)> Will you tell us something embarassing about you? (•)> Do you sing in the shower? If yes, what's the setlist?

Yes, but I can’t think of anything I’m embarrassed about! Hmm…this is hard. Does liking the ballet count as embarrassing? If not, I’m willing to admit I once listened to the boy band Blue!

INTERVIEW WITH ASYLUM 213

Asylum 213 present what they believe only further reflects the band at its pinnacle point. Given the many ups and downs experienced by the band themselves, individually and collectively, over our now 6-year tenure as a full band – this one feels personal. No matter how much we, as a band, can define our relations to the meaning behind these lyrics, however, it all remains open to interpretation for each and every listener. You have your own story, your own journey you’re going through, let this song be nothing more than a reminder that the peace you’ll find at the end of that journey is worth every step you continue to take to get there.

 (•)> Cru cru Asylum 213! What first got you into music?

Dylan: I think growing up in a house with two hippies (my mom and dad) and hearing all the fun stuff they listened to, especially given my mom was getting me into stuff like Talking Heads, Frank Zappa, Jimi Hendrix, Robin Trower, etc., as we as my dad getting me into blues stuff like Stevie Ray Vaughn, B.B. King, Buddy Guy, and some bluegrass even, and not to mention my brother always listened to the coolest stuff ever to me as a kid and then growing up as well, which really helped shape my music taste as well; Moreover, all my mom’s brothers and her dad were superb jazz players and her brothers would come over when I was little and play neat music or talk about some ‘hidden gems’ of artists themselves, so you basically had this melting pot of influences for me to get into all kinds of wild stuff, both typical and different for kids my age to have been listening to. By the time I was about 13 or 14, I pretty much wanted nothing more than to learn how to play guitar like any of those people and go somewhere with it. I was really into Buckethead and a ton of other fast players (like a lot of kids my age that just discovered ‘shredders’) and while I don’t really consider myself a ‘shredder’ like that for at least the last 6 or 7 years, I think every single piece of music I heard growing up, everything I learned or attempted to learn on guitar, every person I met, every experience I had, every band I was ever in, they all helped shape my love and passion for music and I definitely don’t think I’d be who I am today or have made it this far with it without any of them.

Dexy: I feel like I can't think of a time in my life where I wasn't vibing with some kind of music. One of my favorite things as a very small child was a little Care Bears cassette player. I listened to a lot of Simon and Garfunkel, Rascals, Beach Boys and a whole bunch of Motown in my childhood, whatever my dad had. As I got a little older I found Genesis and dove very deep into their discography and all the solo projects. I definitely had a phase in middle school where Monty Python was always in my player. Most of my teens was an obsession with The Who and The Jam and a bit of Northern Soul even though it was a little harder for me to access that until the later 2000s. Summer of 1998 my life changed when I went to a punk show and I began digging into more modern genres outside of mainstream radio and started going to local shows regularly. I have a lot of points in my life that I remember the event/feelings/moments related to an album or song I was listening to at the time as it was part of how I got through it. Shout out to Matt Berry’s new record, Heard Noises for being a bit of a spark for me recently to break through a bit of personal mental block around music.

Silky: Not even gonna lie, playing Guitar Hero 3; and FCing “Through the Fire and Flames” by Dragon Force in my preteen years!

Ben: As a small kid, I would get most of my music from my parents and grandfather. The first bands I was really into were John Fogerty, Journey, and Rush, who inspired me to pick up the guitar and aspire to play live. In middle/high school I started teaching myself drums, learning primarily blink-182 and Green Day songs until I discovered Avenged Sevenfold and The Rev. They pretty much single-handedly launched me into heavy music, and The Rev’s influence honestly sticks with me to this day. I’d say a special mention should also go to Josh Manuel, as I transcribed a full album of his drumming in high school and still find myself thinking “what would HE do here?”

 (•)> What inspired you the most when creating Prolonged Exposure to Delusion?

Dylan: In 2023 it truly felt like my life was over. I had failed in yet another relationship and I carried (and still do a bit) a lot of guilt and self-loathing for it. I truly began to not recognize myself as a person and just kind of wallowed a bit in being depressed, wanting to feel sorry for myself but couldn’t because I felt I deserved every ounce of pain I was feeling, and thought I didn’t deserve anything good at all anymore. I think I still struggle with that a bit, but, I really fell apart that year and got to some incredibly abysmal lows, which I’d also been experiencing lows as was from other things about a few years or more leading up to that. Not saying any of this for sympathy, just, that’s the reality of what happens to you when you lose yourself and don’t know at all how to come back, I suppose. That person I was with never deserved to deal with that version of me, even if every part of that relationship got to a point where it was awful and neither of us were great to each other, I can only be responsible for and attest to me and I just hope that I never let anyone down like that again. But that entire year leading up to last, I realized I had multiple issues mentally that I needed to really address, even if I hadn’t done extremely horrible things, I just did not feel good about who I was and didn’t like the fact that I felt like I was addicted to unhealthy things just to ‘feel okay’ for even a second. None of it helps. Anything you do to cope that you second guess or feel guilt about, no matter how you cut it, is just something wearing you down. A year of therapy and a lot of sitting with myself, having a total mental breakdown, and really tearing myself apart and rebuilding later – I feel stronger and like I’ve really gotten myself on a better path. But, I never want to consider myself perfect or like I’m not a constant work in progress like any other human. I only wish for the ability to accept what I can’t change, the strength for what I can, and the wisdom to know the difference, like anyone who has to heal and do better, y’know? Anyway, long story short, “Prolonged Exposure to Delusion” is pretty much about that, accepting where you’re at, putting your pride away, and just trying to do better because deep down you love everybody and don’t want to hurt them anymore, and you have to learn how to stop hurting yourself in order to help do that, too. It’s really a song about breaking down and trying to pick up the pieces, something I’d done many, many times up until a year or so ago. It’s fun to play, but it does hit me a little bit each time we run through it, in practice or live setting (although as of this interview, we’ve only played it once so far).

Dexy: I just allowed myself to focus on the music tied with the feelings Dylan had described and how that could be conveyed. I kinda leaned into a somewhat busy bass part that kind of reflects the chaos of our minds when we are struggling.

Silky: Writing my parts in particular, I really aimed to write for comfort; something the person going through troubled times can hum. Something they can remember, that there’s people that are here for them.

Ben: I was honestly inspired the most by my fellow band members’ parts - each one gave me a new perspective on the song to consider when laying down the drums. It also helped that we were able to perform it together a lot both while writing AND recording it! There’s also a special rhythmic Easter egg somewhere in the song that is fully based on a popular game franchise… I had a lot of fun with this one.

 (•)> So far was the journey of Asylum 213 worth every step?

Dylan: Asylum 213 and all the other members in it, Ben, Dexy, and Marvin (Silky), are some of my most favorite people in this world that I think I would and could do anything in the world for. Some of my best friends I’ll ever have and people I trust with my life, and I don’t know that I’d want to do this band without any of them. Same goes for our old drummer Hunter. If you’re lucky, you get in a band with awesome musicians that vibe with you well for a little while, but to have people that connect with you on such a deep level and just absolutely match your energy on some wild chemistry you haven’t quite felt in other bands you’ve been in before? That’s a blessing. That’s something I always want to stay humble about. We’ve been a full band for about 6 years, going on 7, now. Everything you go through helps shape it and I can’t say I’d want to really change anything because doing so wouldn’t have helped mold us to what we are now. So yeah, absolutely worth it and couldn’t be more proud of us as a group currently.

Dexy: Yes! I didn't start playing music until I was almost 30, I was about 34 when I went from drums and I picked up a bass for the first time. I had childhood piano lessons and had played percussion in high school, but pretty much by the end of high school was pretty much told I had no aptitude for music and I gave up any thought of ever being a "musician". When the opportunity to join Asylum 213 came along and I have been amazed by the growth and experiences I have had with this project and these amazing friends. It has been priceless. There have been hard times, but there is no other group of people I would want to go through it with and often I feel like I am a lot better at laughing off the small stuff and staying strong through things that used to crumble me. I have a lot of love for the songs that Asylum 213 has and sharing that with others almost as a fan to a fan means so much. For me, this project is a reminder that if you want things in life and are willing to put in the effort, it’s never too late to start and anything you are passionate about is worth the effort.

Silky: Giving you the boring answer; Yes, a thousand times yes!

Ben: I’ve been blessed with an immense amount of joy and fulfillment from the time I’ve gotten to spend with these guys. Just in the past year, I’ve performed in a bunch of cities I’d never been to, gotten to write to some of the craziest songs I could ever imagine, and met some of the coolest people ever, all playing music with these guys. Even when we’ve had our low points, like Dyl talks about before and during Subi when we play it live, we’ve kept each other going and it has indeed been worth it every step of the way, in my book.

 (•)> What mathcore records do you recommend the most?

Dylan: I feel like I don’t know a ton about the actual mathcore scene, per se. But some records (both new and old) that I really love and/or think you should check out are Thin’s latest, the overlapping nature of things, Dillinger Escape Plan’s Ire Works, Belted Sweater’s self-titled record that just came out last month, Jeromes Dream’s The Gray In Between, and Miracle Blood’s Hello Hell. Some of these artists may not exactly be ‘mathcore’, but they have adjacency and each of those records are total bangers. If nothing else, you’ll likely find a new favorite amongst anything you delve into by any of the above! Dillinger Escape Plan is/was like the closest thing we got to another Faith No More (to a degree) in my opinion, in how they left a legacy after writing music more outside the box similar to how FNM did. Oh also, if somehow you don’t know about Faith No More, or really anything Mike Patton’s involved in, definitely check any and all of that out ASAP, too!

Dexy: I got introduced to mathcore largely from my bandmates, but the albums I have found that stick with me most in my journey into the genre (in no particular order) are The Number Twelve Looks Like You’s Put On Your Rosey Red Glasses, Dillinger Escape Plan’s One of Us is the Killer, Converge’s Jane Doe, and Bilo'u’s muzjou. Dylan introduced me to Deadguy and Fixation on a Co-Worker is really fun.

 (•)> What are your favorite shoegaze albums of all time?

Dylan: Oh, this one’s much easier for me. Shoegaze is absolutely my jam especially as of late. Nothing’s Tired of Tomorrow, Cloakroom’s Time Well, Cold Gawd’s I’ll Drown On This Earth (“Tappan” is a track in particular that will literally do glorious things to your nervous system, I swear), 9Million’s Between Us (although I’m not sure if they necessarily consider themselves ‘shoegaze’, but they’ve got a few elements here or there and wowee does “Never Knew” need to a track you spin at least once), and literally anything Vyva Melinkolya has been up to in the last 5 years. Even if she isn’t necessarily ‘shoegaze’ either, impeccable artist that does dip a bit in the style, too.

Dexy: I second all of the albums Dylan mentioned, all of them stay in my rotations. It is so hard to pick “of all time” because I feel like sometimes my favorites change with my moods. There are definitely older albums I spend a lot of time with like Cold Gawd's God Get Me The Fuck Out of Here, the songs never get old and same with Nothing's Guilty of Everything. The newest release from Cloakroom, Last Leg of the Human Table, is definitely going to be on a repeat for a bit for me along with Cigarettes For Breakfast's newest album, Slow Motion. Some other favorites are Niights' Hellebores, Feeble Little Horse's Hayday and Balms' Mirror was a happy accidental find for me. I also love some of the mainstay classics like Slowdive's Souvlaki and My Blood Valentine's Loveless.

 (•)> What's your favorite noise rock LP of all time?

Dylan: Currently, I’m really digging Hello Hell (2024) by Miracle Blood as well as Congratulations (2023) by EYES. I’m not sure what a ‘favorite of all time’ would be for me, but probably some classics and definitely almost everything The Butthole Surfers did in the way of noise rock.

Dexy: Tomahawk sits with a leg in the noise rock vein and for some reason that I don’t know how to put into words, Tonic Immobility continues to call to me regularly for repeated plays.

 (•)> What fascinates you the most when you're listening to pop music?

Dylan: Pop just has had such an evolution, I think people like Lady Gaga have been my favorites – someone who comes out and definitely makes what you’d consider ‘pop’ music, but does all kinds of weird and somewhat experimental things associated with it, unapologetically. The mainstream needs those outliers. But anyhow, I just dig how fun pop can be while also pulling off some weird/cool things here and there as well.

Dexy: I’m not the biggest fan of pop music, although I definitely appreciate power pop and McFly is a guilty pleasure from time to time, but I think the thing that is most fascinating for me is the ability of pop songs to hook in your brain to create earworms. I do try to find ways to seek those melodic or lyrical lines that just live in your brain rent free with other “styles” of music.

Ben: Not to jump in here, but I am honestly impressed with people who can make hooks out of thin air. Catchiness is so ambiguous to me personally, but we all know it when we hear it, and people who can tap into that all the time are impressive. I don’t listen to a ton of pop music regularly but I am interested in how it’s evolved alongside the music industry over the years.

 (•)> What sludge release should the Pigeon listen to?

Dylan: Anything by Uncle Acid & The Deadbeats and/or Red Fang.

Dexy: Acid Bath's When the Kite String Pops

 (•)> Dylan, what's the setlist when you're performing in the shower?

Dylan: Lol, we usually start with a few Celine Dion numbers and end off with some REM or Alice In Chains. Also probably something off of Oklou’s choke enough, because I’ve been pretty much obsessed with that record since I first heard it shortly after it came out last month.

(•)> What song does Asylum 213 save for the encore?

Dylan: We don’t do many encores, truly, but when we do? I think we used to do “Sundrest” a lot for them. I think that’s something we’ll probably revisit and come out with a ‘secret weapon’ for, so to speak. But really, given they only happen at random and on-the-fly times, we usually just pick something likewise on-the-fly, hahaha. Maybe one day we’ll have a more solid answer for that…maybe.

"Snake 25 starts with a moody, somewhat somber intro, and shifts into hard rock for the body of the song. The lyrics are a mix of personal confession and Gnostic imagery."

This powerful track, born out of the challenges faced during the global pandemic, delves into the theme of community and connection in a world filled with demands. With influences ranging from Bon Jovi to Bruce Springsteen, this song delivers a message of love through its uplifting tempo, catchy hooks, and impactful blend of powerful guitars and hard-hitting drumbeats.

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"This is our newest single from our upcoming 2nd LP we call "A Piece of Broken Glass" which we are releasing later this year. This song means a lot to us and we flushed a lot of our feelings and state of mind into it and we hope you enjoy it."

Can you imagine what a band composed of an 80's rocker, a punk rocker, a neoclassical death metal rocker, an angel and a demon would sound like? Probably not, but then you also haven't heard Transcending Into the Unknown's debut album 'The Journey'. The album contains six tracks that clearly show the band's creativity and unique diversity, as well as the genre-busting musical curiosity that constantly drives their journey further into new and completely unknown musical landscapes.

With a history deeply rooted in the 90s black Metal-Era, Ungoliath's music is a testament to the enduring influence of the genre. Despite being a one-man project, Ungoliath's sound transcends boundaries, creating a sonic landscape that is both introspective and powerful.

"Tauranga, New Zealand’s Threat.Meet.Protocol. aren't your usual noise-punk trio (if there is such a thing). Abandoning guitars, their setup of drums, keyboards, and bass allows bassist and vocalist Austin Cunningham to deliver driving, Mike Watt-style bass lines, while keyboardist Luke Turner unleashes a barrage of wild synth noises. Drummer Evan Pope completes the lineup, providing intricate beats that keep the energy high without overwhelming the band's sound."

The Region - Never Looking Back (2025)

"Never Looking Back" is a powerful narrative of betrayal and the irreversible impact it has on personal relationships."

SickRichard - Drain (2025)

"Glued to our screens, absorbed by technology, drained by the modern world. Are we living in a dystopian nightmare? Led by mechanical synth, this infectious banger from SickRichard bubbles under with mundane, grooving bass until an anthemic chorus rips through letting it all out. Trapped and under control, we need to escape but don’t know how."

INTERVIEW WITH ROSETTA WEST

(•)> Cru cru Rosetta West! What first got you into music?

I have always been musical from as far back as I remember, but hearing Jimi Hendrix made me want to play guitar!

(•)> Have you ever seen Jimi Hendrix playing live? What's Jimi Hendrix's Magnum opus and what's your favorite song from this legendary music icon?

My favorite is a live recording of "Are You Experienced" found on an old album called "The Jimi Hendrix Concerts". It was later put out on the live Winterland collection, with a slightly different mix.

(•)> I remember checking out "Are You Experienced" a few years ago - it's a cool record! Why is that version the one you value the most?

It's just so epic-sounding, like an interplanetary epic! They took really some cool echoes off his vocals on the Winterland release, but it's still awesome!

(•)> What about Electric Ladyland?

Yeah. I love so many tracks on there, but 1983 seems like a great achievement. Hendrix played bass on that as well. "House Burning Down"..."Still Rainin' Still Dreamin'", oh man, so many great songs on that one.

(•)> What inspired you the most when creating "Night's Cross"?

I'm 56 years old and I feel a lot of pressure to get my music out more than ever, especially on streaming platforms that I was late to take advantage of. We're going at a pretty frantic pace but I can't let up now. I love my music and I want as many people as possible to hear it before I'm done. Drive and desperation, ha ha.

(•)> Drive and desperation are pretty damn powerful tools! Can you take us through the album art? What's the meaning behind the six flaming red crosses?

They have multiple meanings, going back far in time. But most recently there was an incident which gives even more resonance to the cover for me. I live near a wooded marsh which is very beautiful but has some darkness to it. I personally found a dead body in there two years ago, and recently I just missed finding a man who had set himself on fire in the reeds and died. You can still see the charred spot - kind of like "X" marks the spot. Not sure I want to include that in the album story. It's pretty harsh.

(•)> Damn, that's pretty dark. I can't even imagine what it is like going through something like that... What film inspires you the most when creating music?

I don't think about movies when I'm making music. I think Led Zeppelin's "The Song Remains The Same" movie seeped very deep into my DNA, so it's probably always there subconsciously. I am a fan of good movies though and I've been influenced by the imagery in films like Apocalypse Now and Angel Heart.

(•)> Fair enough, I'm also a big fan of Apocalypse Now. The scene that plays "This Is The End" by the Doors is pure cinema!!!

The Colonel Kilgore scenes (Robert Duvall) in Apocalypse Now are priceless.

(•)> I added "Angel Heart" and Led Zeppelin's "The Song Remains The Same" to my watchlist! What is your favorite album released by them?

I love the studio albums but I'm a bootleg fanatic. June 21, 1977, and April 28, 1977, are two of my favorite shows. But I'll go to "Physical Grafitti" for the studio work.

(•)> Do you agree with the Pigeon?

My main experience with pigeons is from living in Chicago. I admire them. They've learned to live and thrive in an urban environment with humans and they seem gentle and loving and unafraid. So yes, I'm down with pigeons.

INTERVIEW WITH MR. AUTUMN

(•)> Cru cru, what first got you into music?

Most people don't know this but it was actually quite petty hahaha. A teacher was praising a kid in school that he had potential to be a drummer and I was doing the exact same thing as he did. So out of spite, I started taking drum lessons and then I rolled into the world of music.

(•)> You're not the first nor the last entering the music world for petty reasons, but your story is still hilarious!!! Who's your favorite drummer?

Ooof, a favorite drummer is so hard. I like song drummers like Ringo Starr obviously. I still think his fills are innovative and I use them often. I love prog drummers like Mike Portnoy, Gavin Harrison, and Danny Carey. One local drummer/singer I adore is Stephanie Mannaerts. She hits like a girl, like really fucking hard! Power woman!

(•)> What are your thoughts on "Whiplash"?

I think movies like Whiplash and Sound of Metal are good to get people to love those genres of music but it paints a bit of a overdramatic picture. It seems more like an Olympic sport than music. J.K. Simmons is brilliant though. Love his performances in every movie or series he does!

(•)> The Sound Of Metal isn't like Whiplash at all, It's about a drummer dealing with ear-loss. Are you a fan of earplugs when attending a live show?

I haven't seen the sound of metal but I have a bit of tinnitus myself, it sucks. I tend to wear earplugs as much as I can. As a producer, I listen to so much music that I tend to avoid listening to music outside e.g. when I'm walking, on the train. I need to be able to absorb my surroundings a bit and balance sounds. There are 95 Db norms everywhere so I think things aren't as loud as they used to be. For singer-songwriter evenings I tend to go without because they are more quiet and intimate.

(•)> I also have a lot of respect for Ring Starr's percussion! Did you see Peter Jackson's "Get Back"? Is "Octopus's Garden" one of your favorite songs by The Beatles?

Get Back is a great film! It really feels like you're there. Octopus's Garden is pretty cool, but I prefer Revolver songs like 'She Said She Said'

(•)> I love the drumming of Meg White (White Stripes - White Blood Cells), Jeremiah Green ( 90's Modest Mouse) and Pattrick Wilson (Weezer - Pinkerton) Do you have any thoughts on these?

I haven't really checked Modest Mouse nor Weezer. Meg White does the bare basics and makes it work. You can't not respect that! Another song drummer.

(•)> What about John Paul Jones and Brian May?

JPJ is a legend, really like how he's a multi-instrumentalist. Organs, mellotrons, mandolins, you name it. He's that little piece of magic that makes Led Zeppelin rise above. It's like Richard Wright in Pink Floyd. Often overlooked, but they made the psychedelics, and orchestral parts really come to life. Brian May is a legend, enough said. He has an instantly recognizable guitar tone, made his own guitar, and overall he's just a class act. A real gentleman and scholar.

(•)> What metal/ prog records from bands such as Porcupine Tree, King Crimson, and Dream Teathre would you recommend to me the most?

When it comes to prog you can't go without Opeth, the sheer body of quality albums by them is staggering! I reference a lot of melodies and chords in my music and they're one of the reasons why I got into heavy prog metal. Of course, I like modern acts like Plini and Animals as leaders. But as far as songs with vocals and growls go, Opeth is the supreme leader!

(•)> Opeth's Blackwater Park is an amazing album!!! Do you agree with the Pigeon?

Blackwater Park for sure is a Masterpiece, they only have bangers! Ghost Reveries and Heritage are my personal favourites. I do agree with the Pigeon!

"Jack Vesk unleashes unbridled creativity, fusing Techno and Psytrance into electrifying soundscapes bursting with raw energy and awe-inspiring vibes. Recorded in his old home in Berlin, "System Takeover" encapsulates Jack's artistic evolution and dedication to pushing boundaries in music production. The absence of structural repetitions in the track keeps the listener engaged, as each section unfolds in an unpredictable and captivating manner."

"Delivering brash “big pick energy,” band YACOVELLI’s debut single “Red Eye” soars with a chunky Neo-Grunge swagger reminiscent of DIY punk predecessors Nirvana and The New York Dolls. An anti-anthem for social media-driven travel culture, the song taunts at and celebrates the jet-setting lifestyle and the illusion that the singer’s airbrushed life at 40,000 feet is picture perfect."

"Barking Poets released 2 brand new singles "Part of the Problem" and "We will Overcome". Barking Poets debut full length album is set for release in 2025."

INTERVIEW WITH DONNY DRACO

1. Hey Donny, super nice to have the chance to chat with you! First and foremost what got you into music?

Hey what’s up, glad to get a chance to talk with you and answer some questions! I got into music around middle school. I played the drums at a young Age, was in band at school for awhile and actually did choir for a short time in high school. I started writing music at the end of high school and I had a friend (Garret Adams) that also started producing beats then. Our other friend (Jed Tonkin) made music with us, and built a fully functional studio in his backyard after we graduated. Garret still produces most of my instrumentals and I still record at Jed’s studio to this day.

2. What would you be doing right now, if it wasn’t for your music career?

Currently I am still trying to make this music thing a “career”. It’s hard being a new independent artist but I’m working on making it happen. If I wasn’t making music at all, who knows what I would be focusing on in my life

3. What are your long term goals?

With music, my goals are really to make it become my full source of income. I would love to be able to become well known, see the world, and share my music with as many people as possible. Ideally, after all of that I would keep creating in other forms of media, and take money that I earned and invest it in ways that would allow me to have an income for the rest of my life. I also wouldn’t be opposed to making films, acting, and getting into the NFT creating game.

4. How do you spend your time?

Most days I try to create something musically. Whether it is working on instrumentals/beats, recording, or filming something. If I’m not making music, I’m usually hanging out with my girlfriend, making art, traveling or doing something outside. If it’s winter I’m snowboarding, and I’m trying to get back into skateboarding this summer.

5. What makes you the happiest?

Well obviously creating (music/art) makes me very happy. Spending time with people I care about makes me happy. I also value the time I spend with just myself a lot.

6. What is the biggest decision you’ve had to make?

It’s hard to think of something on the spot really. I’d say that moving back to my hometown during the pandemic was a big decision. I wasn’t making much music at this time, but coming home allowed me to access the things I needed to make music frequently again.

7. What’s your favorite Youtube channel?

Well outside of music channels, I am actually a big fan of Good Mythical Morning. I have been watching Rhett and Link content since I was a kid and still find entertainment in the daily show they do. Also a big fan of the Bombhole Snowboard podcast.

8. Describe a real-life situation that inspired you?

I had a cousin who was one of my best friends my whole life. He was a very talented musician and songwriter, always in bands and playing/recording. Sadly, he unexpectedly passed away last summer. The last time I visited him before he passed, he told me I should start making more music again, but to just be myself and be more genuine. So I did.

9. What’s your fav movie? Can I guess Donny Darko?

Donny Darko is up there on my list, and did inspire my name! But I would have to say my favorite movie of all-time is the first Matrix movie.

10. Do you consider yourself a music - nerd?

 I don’t really consider myself a music nerd. There are some people out there that know so much about playing multiple instruments, music theory, different bands or artists, etc. I just know the music I like and like to make, and try to learn everything I can.